So...a bunch of random thoughts and such today...
The show I was directing in Darien, Book Of Days, ended as a rousing success...sure, we didn't get the crowds I was hoping for...but the show has apparently put The Darien Players back on the map. People are still talking about it three weeks later. I'm still getting reports from people connected to the show or people connected to people connected to the show that say its the best thing they ever saw The Players do or have heard it was the best thing they ever saw The Players do and wished they had seen it. Oh well. It was a great experience and hopefully the bar that we've raised we'll rise to meet all season long next season.
And then the TV season ended...
There were two season finales I was most looking forward to Lost and Smallville. The former was somewhat of a let down. Sure, we get the appropriate "cliffhanger"...but it was no different than the ones we get every other episode. Questions tend to get "answered" in a one step forward three steps back fashion and while that's fine for a regular episode where you know you've got more coming next week or the week after, it's not okay for a season finale...we need a bit more...but I'll let it go for now because it's such an amazing show.
As for Smallville, the season finale more than made up for the crappy stories we had to sit through all season. If I had known this is what they were leading up to all season I wouldn't have complained. Easily the best season finale of the season. Can't wait to see what happens next.
The Best Musical Tony Award going to Monty Python's Spamalot was just plain wrong. Having seen this as well as Dirty Rotten Scoundrels and watching the other two musicals nominated get most of the other awards (The Light in the Piazza and The Putnam County 25th Annual Spelling Bee) it was just wrong. But it'll bring people to shows and isn't that what award shows are really all about?
Now that we're seeing a cast fall into place for the big screen remake of The Poseidon Adventure is it as exciting as the small screen remake mini-series cast? Well...you be the judge...the big screen version won't hit until sometime late 2006, is directed by Wolfgang Peterson and stars (currently) Kurt Russel, Emmy Rossum, Richard Dreyfuss and Andre Braugher. The small screen version will air this fall and stars Adam Baldwin, Steve Guttenberg, Bryan Brown, Rutger Hauer, C. Thomas Howell and Peter Weller. While we don't know how the plot of the big screen version will be updated (but it is being written by Akiva Goldsman...one of the people responsible in my book for killing the Batman franchise), the small screen version sees the great ship Poseidon overturning due to a terrorist attack. Personally, I'd like to see both of these sink. The original is a GREAT fun movie and the only thing that actually comes close to capturing the fun of it is the musical version we saw in the summer of 2003 at the New York City Fringe Festival. But...being the masochist I am...I'll see 'em both anyway...it's one of my favorite movies.
So with the new version of Doctor Who burning up the ratings over in the U.K. when are we going to get to see it here in the colonies?? There's gotta be some network willing to pick it up? Or at least get it to us on DVD soon.
The house is slowly getting into shape before Malcolm's arrival. We've started putting things in order and reorganizing our possessions back to where they need to be (or getting rid of them in some fashion if they don't need to be). Our original contractor still has a few minor things to take care of (we still don't have a toilet in the master bathroom) and the new contractor is proceeding as best he can with the late start he got on the projects he was hired for. Malcolm's room will be finished by the end of the week. The main floor powder room is waiting to be tiled (a delay I take partial responsibility for and place the rest squarely on our original contractor and his taking so long). But the new contractor has agreed to set the toilet anyway if the tile's not in before family arrives.
Beyond that apparently this month is just one long waiting game. We're waiting for Tash's parents to arrive and we're waiting for Malcolm to decide he's ready to come out. According to the doctor, he's healthy and happy and he could be induced safely now...but we've all decided to wait until he's ready. Tash's doctor is going on vacation as of her due date and she stated that if Malcolm hasn't come out on his own by the time she gets back one week later, she's gonna induce Tash.
We've decided that if Tash is still pregnant on June 15 we're gonna hit an early matinee of Batman Begins just to get it out of the way.
The waiting (for Malcolm, not Batman) is driving me a bit batty.
One last note on the subject of names...what is it with celebrities giving their kids weird names? Apple? Crimefighter? Rocket? Are these people on drugs? Oh wait...yes...they are...it's called fame...We had the short disucssion of doing something like this and decided that if you want to prevent a lifetime of cruelty on the playground find something normal (not that the other kids won't come up with their own clever slants on a name anyway)...
That's all for today.
Be seeing you.
Monday, June 06, 2005
Friday, May 27, 2005
Talk Of Revenge
Every six months or so, I have an appointment with my dentist for a cleaning. I always go because I know I should, even though it will be painful to an extent.
That's pretty much how I felt about seeing "Star Wars: Episode III - Revenge of the Sith" when the opportunity presented itself.
So avast ye maties...thar be spoilers ahead (that's for all you pirates watching the film on DVD from the copy floating around online).
First, this is not the worst of the prequel trilogy...but I'm not sure it's the best either. I had many problems with this movie and quite honestly don't understand some of the gushing that's going on about how great it is (and the reaction I've gotten from some people to my reaction reads like a political discussion between Republicrats and Demicans where they're "right" and I'm "wrong"...so I'm going to say my peace and be done with it for a while).
This is easily the busiest film ever made...and that's just the start of a myriad of problems it contains. Lucas has filled each and every frame with so much background minutia that it's hard to pay attention to certain things. Now, maybe he did it on purpose so you'd be watching all the ships zip by the window as Anakin and Padme have yet another boring, stilted, cliched conversation about how much they love each other and how confused they are about their current situations. Maybe it was Lucas' way of endorsing the powerful aspect of filmmaking in that it should be a visual medium (except he forgot that it should visually be telling a story as well). Maybe he's just a lazy and easily distracted filmmaker. I vote for the latter.
The film is boring for a good chunk and then it gets silly for a while before actually coming up with one of the most brilliant and poignant scenes in the prequel trilogy (the killing of all the Jedi...who as powerful as they seem to be are too stupid to really notice what's going to happen) before descneding back to boring and ending with some of the funniest shit ever put in a "Star Wars" film. Between the "excuse" for Padme's death and the "creation" of what I'm going to call Short Vader.
As far as our young lovers are concerned...together they've had three movies to really develop a relationship and have yet to do so by the time they're ready to make their exits. What's barely there is strung together by weak dialog and exposition at best. This should have been the centerpiece of this trilogy and it got such short shrift as to make me long for the whole Trinity/Neo love story of "The Matrix". Lucas should have gone back and watched the original trilogy to get a sense of how to develop a relationship (but of course, since he didn't actually write the scripts for "Empire" and "Jedi" he really would have no idea how to write for Han & Leia...can you imagine what that would have been like if he had...ugh...Han would have had a whole speech as he descends into the carbonite freezing chamber instead of the perfectly simple "I know" in response to leia's "I love you.").
When Padme finally expires, we have plenty of possible reasons for her death...but the one we are given is so stupid it's laughable. She could have died from asphyxiation or childbirth (or ebola...anything...just give us a real reason)...but apparently she was medically fine and just lost the will to live (I'd suggest she must have lost it around the same time as Lucas lost his ability to write...but I'm beginning to think he never had one).
As for Anakin...well...we know where Luke gets his whiney side from that was so distinct in Episode IV (but thankfully he grew out of it...see...he had "real" writers who knew how to develop character over the course of the original trilogy...I'm beginning to think someone else actually wrote Episode IV at this point). We're expected to believe that this whiney, easily manipulated and impulsive punk is going to become the greatest screen villain of all time? I don't think so. On top of that, he's much shorter looking than he will appear in the next three films (or the first three films...depending on which way you count). If they're rebuilding him, couldn't they have given him leg extensions?
Christopher Lee should be happy that Lucas, unlike Peter Jackson, gave him an onscreen death...of course he should be pissed that it happens about 10 minutes in (after like 2 minutes of screen time). Leave it to Lucas to take his more interesting and well written characters and get rid of them much too soon. This film needed more Count Dooku...especially once Palpatine's finally revealed to be manipulating everything from behind the scenes. Dooku could have been a great addition to a three-way battle once he realzied he was being manipulated just like everyone else.
Speaking of Palpatine...what was easily the best part of all three films quickly becomes the silliest once the revelation is made (and anyone who's surprised by this should just stop watching movies...you're too stupid to deserve to watch movies). His behind the scenes manipulation of both sides was a bit too hidden at times (exactly what he's doing and the reasons for it need too much discussion and explanation), but it was easily the best part...until his change. Once that happens, he's cackling more than Jack Nicholson's Joker and wheezing more than Vader himself. A plausible and better explanation for the difference between Palpatine's look in this trilogy and his look in the previous one would have been the ravages of time and use of the Dark Side of the Force. To have it all happen at once because of the latter is just silly (was he not using the Force elsewhere before that moment).
The action scenes are workman-like as far as I'm concerned. Nothing is really too exciting because Lucas has developed a case of ADD. He cuts into things very quickly and from bad angles. It's annoying. He couldn't let the fights play out as they did in Episode I? The Obi-Wan, Qui-Gon, Darth Maul fight remains the highlight of the prequel trilogy. The rest of the fights in this new film are either too much like previous fights (the Anakin/Dooku fight was too much like the Luke/Vader fight in "Jedi" and the Anakin/Obi-Wan fight felt like the one from "Empire"). The battles with Palpatine were just bad and videogame-like (and did he not have any money to teach Ian McDiarmid how to hold a sword and not look silly...I mean...I can forgive the silly looking effect that is obviously one actor's head on another guy's body because an old man can't really flip around like that, but make it look convincing when you go in for a closeup).
The more I think about it, even with more Jar Jar (he makes a few silent background appearances in the new film), I think I like "The Phantom Menace" better. It at least has the excuse of being "the first". It has a lot to set the stage for and showed that there may be some surprises down the road (of course, there weren't). There are a few good action scenes that don't play as much like video game stages (I'm thinking the above mentioned sabre duel and the pod race)...and we weren't "burdened" with the "actor" known as Hayden Christensen...or is it Christian Haydensen...or something else entirely...I don't care...I'm too lazy to look up the correct way on the IMDB and he sucks anyway.
So...now we have a complete series and the question become how to watch it. There's the obvious order of:
1, 2, 3, 4, 5, 6
but quite honestly I think watching the prequels will ruin the surprises and foundations of the original trilogy. Watched in order anyone getting to "Empire" will now exactly what Yoda means when he tells Obi-Wan "No, there is another" (and did Ben coveniently forget Luke has a sister), you'll be instantly creeped out by the possibility of a Luke/Leia romance because you know their siblings from the start and you'll marvel at how the Empire was able to build a second Death Star in four years when the first one took them 18.
Then there's this interesting theory I came across somewhere on the internet...perhaps the best way to watch the entire saga is in the following order:
4, 5, 1, 2, 3, 6
By setting the earlier chapters as flashbacks just as the rebellion enters its darkest days (at the end of The Empire Strikes Back) we can temper the awfulness of the ending of the whole story (Return of the Jedi) by enduring the awfulness of The Phantom Menace, and Attack of the Clones and Revenge of the Sith.
I will applaud Lucas for trying to make this the story of someone we like who turns into someone we hate (or love to hate)...but he pretty much botched it at every turn. He should have taken a look at his good friend Francis Ford Coppola's "The Godfather Trilogy"...even with a weak third part, he knew how to handle exactly what Lucas was trying to and did it so much better.
As for me...and my son...when he's old enough to watch "Star Wars" he will see them how I saw them...and then we'll talk about the possibility of him seeing the prequels AFTER the original trilogy.
I think I'm gonna go watch the "Clone Wars" cartoon on DVD again. It's everything the prequels should have been.
Be seeing you.
That's pretty much how I felt about seeing "Star Wars: Episode III - Revenge of the Sith" when the opportunity presented itself.
So avast ye maties...thar be spoilers ahead (that's for all you pirates watching the film on DVD from the copy floating around online).
First, this is not the worst of the prequel trilogy...but I'm not sure it's the best either. I had many problems with this movie and quite honestly don't understand some of the gushing that's going on about how great it is (and the reaction I've gotten from some people to my reaction reads like a political discussion between Republicrats and Demicans where they're "right" and I'm "wrong"...so I'm going to say my peace and be done with it for a while).
This is easily the busiest film ever made...and that's just the start of a myriad of problems it contains. Lucas has filled each and every frame with so much background minutia that it's hard to pay attention to certain things. Now, maybe he did it on purpose so you'd be watching all the ships zip by the window as Anakin and Padme have yet another boring, stilted, cliched conversation about how much they love each other and how confused they are about their current situations. Maybe it was Lucas' way of endorsing the powerful aspect of filmmaking in that it should be a visual medium (except he forgot that it should visually be telling a story as well). Maybe he's just a lazy and easily distracted filmmaker. I vote for the latter.
The film is boring for a good chunk and then it gets silly for a while before actually coming up with one of the most brilliant and poignant scenes in the prequel trilogy (the killing of all the Jedi...who as powerful as they seem to be are too stupid to really notice what's going to happen) before descneding back to boring and ending with some of the funniest shit ever put in a "Star Wars" film. Between the "excuse" for Padme's death and the "creation" of what I'm going to call Short Vader.
As far as our young lovers are concerned...together they've had three movies to really develop a relationship and have yet to do so by the time they're ready to make their exits. What's barely there is strung together by weak dialog and exposition at best. This should have been the centerpiece of this trilogy and it got such short shrift as to make me long for the whole Trinity/Neo love story of "The Matrix". Lucas should have gone back and watched the original trilogy to get a sense of how to develop a relationship (but of course, since he didn't actually write the scripts for "Empire" and "Jedi" he really would have no idea how to write for Han & Leia...can you imagine what that would have been like if he had...ugh...Han would have had a whole speech as he descends into the carbonite freezing chamber instead of the perfectly simple "I know" in response to leia's "I love you.").
When Padme finally expires, we have plenty of possible reasons for her death...but the one we are given is so stupid it's laughable. She could have died from asphyxiation or childbirth (or ebola...anything...just give us a real reason)...but apparently she was medically fine and just lost the will to live (I'd suggest she must have lost it around the same time as Lucas lost his ability to write...but I'm beginning to think he never had one).
As for Anakin...well...we know where Luke gets his whiney side from that was so distinct in Episode IV (but thankfully he grew out of it...see...he had "real" writers who knew how to develop character over the course of the original trilogy...I'm beginning to think someone else actually wrote Episode IV at this point). We're expected to believe that this whiney, easily manipulated and impulsive punk is going to become the greatest screen villain of all time? I don't think so. On top of that, he's much shorter looking than he will appear in the next three films (or the first three films...depending on which way you count). If they're rebuilding him, couldn't they have given him leg extensions?
Christopher Lee should be happy that Lucas, unlike Peter Jackson, gave him an onscreen death...of course he should be pissed that it happens about 10 minutes in (after like 2 minutes of screen time). Leave it to Lucas to take his more interesting and well written characters and get rid of them much too soon. This film needed more Count Dooku...especially once Palpatine's finally revealed to be manipulating everything from behind the scenes. Dooku could have been a great addition to a three-way battle once he realzied he was being manipulated just like everyone else.
Speaking of Palpatine...what was easily the best part of all three films quickly becomes the silliest once the revelation is made (and anyone who's surprised by this should just stop watching movies...you're too stupid to deserve to watch movies). His behind the scenes manipulation of both sides was a bit too hidden at times (exactly what he's doing and the reasons for it need too much discussion and explanation), but it was easily the best part...until his change. Once that happens, he's cackling more than Jack Nicholson's Joker and wheezing more than Vader himself. A plausible and better explanation for the difference between Palpatine's look in this trilogy and his look in the previous one would have been the ravages of time and use of the Dark Side of the Force. To have it all happen at once because of the latter is just silly (was he not using the Force elsewhere before that moment).
The action scenes are workman-like as far as I'm concerned. Nothing is really too exciting because Lucas has developed a case of ADD. He cuts into things very quickly and from bad angles. It's annoying. He couldn't let the fights play out as they did in Episode I? The Obi-Wan, Qui-Gon, Darth Maul fight remains the highlight of the prequel trilogy. The rest of the fights in this new film are either too much like previous fights (the Anakin/Dooku fight was too much like the Luke/Vader fight in "Jedi" and the Anakin/Obi-Wan fight felt like the one from "Empire"). The battles with Palpatine were just bad and videogame-like (and did he not have any money to teach Ian McDiarmid how to hold a sword and not look silly...I mean...I can forgive the silly looking effect that is obviously one actor's head on another guy's body because an old man can't really flip around like that, but make it look convincing when you go in for a closeup).
The more I think about it, even with more Jar Jar (he makes a few silent background appearances in the new film), I think I like "The Phantom Menace" better. It at least has the excuse of being "the first". It has a lot to set the stage for and showed that there may be some surprises down the road (of course, there weren't). There are a few good action scenes that don't play as much like video game stages (I'm thinking the above mentioned sabre duel and the pod race)...and we weren't "burdened" with the "actor" known as Hayden Christensen...or is it Christian Haydensen...or something else entirely...I don't care...I'm too lazy to look up the correct way on the IMDB and he sucks anyway.
So...now we have a complete series and the question become how to watch it. There's the obvious order of:
1, 2, 3, 4, 5, 6
but quite honestly I think watching the prequels will ruin the surprises and foundations of the original trilogy. Watched in order anyone getting to "Empire" will now exactly what Yoda means when he tells Obi-Wan "No, there is another" (and did Ben coveniently forget Luke has a sister), you'll be instantly creeped out by the possibility of a Luke/Leia romance because you know their siblings from the start and you'll marvel at how the Empire was able to build a second Death Star in four years when the first one took them 18.
Then there's this interesting theory I came across somewhere on the internet...perhaps the best way to watch the entire saga is in the following order:
4, 5, 1, 2, 3, 6
By setting the earlier chapters as flashbacks just as the rebellion enters its darkest days (at the end of The Empire Strikes Back) we can temper the awfulness of the ending of the whole story (Return of the Jedi) by enduring the awfulness of The Phantom Menace, and Attack of the Clones and Revenge of the Sith.
I will applaud Lucas for trying to make this the story of someone we like who turns into someone we hate (or love to hate)...but he pretty much botched it at every turn. He should have taken a look at his good friend Francis Ford Coppola's "The Godfather Trilogy"...even with a weak third part, he knew how to handle exactly what Lucas was trying to and did it so much better.
As for me...and my son...when he's old enough to watch "Star Wars" he will see them how I saw them...and then we'll talk about the possibility of him seeing the prequels AFTER the original trilogy.
I think I'm gonna go watch the "Clone Wars" cartoon on DVD again. It's everything the prequels should have been.
Be seeing you.
Thursday, May 19, 2005
FOX: Forwards and Backwards 2005
Before we get into FOX's new lineup, I'd like to mention two things...
First...Who's portrayal took a 3rd string comic villain that hadn't been seen in years and turned him into an A list fictional character??? I'd like to mention the passing of Frank Gorshin...while best known as The Riddler on "Batman", he was actually a very versatile impressionist and a very talented actor. His last appearance is apparently on the season finale of "CSI"(may have to break my boycott early just to check him out one last time). He will be missed.
Second...UPN's schedule is not really something I care much about. They're moving "Veronica Mars" to Wednesdays at 9pm which puts it up against "Criminal Minds" on CBS, "Head Cases" on FOX, "Lost" on ABC and "E-Ring" on NBC...meaning this is the time slot where every DVR and VCR in the house will be active trying to catch it all (well...I'm sure "E-Ring" and "Head Cases" won't last on my watch too long).
The rest of UPN's lineup is the same with the addition of a few new comedies (including one made by Chris Rock) and the moving of wrestling to Fridays where it'll be less embarassing.
Now...on to FOX's lineups...
Last May, FOX announced a three-pronged schedule for the 2004-2005 Season. It essentially started in June and ran through May with shows being jockeyed in and out over the course of the season. This year, we got a two-pronged schedule with the same concept. Although there are a few new shows starting this June that aren't part of this schedule, I'll be discussing them anyway...
On to cancelled shows:
There were three shows announced by FOX last year that never actually made it to the small screen...Athens, The Partner and Related by Family...lucky for us...I won't bother reminding you what they were about (you can find last year's post now on the website).
North Shore -- 1 Season/20 Episodes -- Didn't see it. Oh well. Too late now.
The Complex: Malibu -- 1 Season/8 Episodes -- Remember this? Me neither.
The Rebel Billionaire -- 1 Season/11 Episodes -- Sir Richard Branson tries to trump Trump and fails miserably.
Quintuplets -- 1 Season/22 Episodes -- Of all the shows, I'll miss this one the most. Andy Richter will someday have a successful show of his own that lasts for a while.
Method & Red -- 1 Season/13 Episodes/5 Unaired -- Caught one episode...didn't find it funny...apparently neither did anyone else.
The Next Great Champ -- 1 Season/10 Episodes -- Cause you can't see enough amateur boxing on TV.
The Jury -- 1 Season/10 Episodes -- It was what "Law & Order: Trial By Jury" should have been...but they're both gone and we miss out on something (not sure what).
Tru Calling -- 2 Seasons/26 Episodes/1 Unaired -- That's what Eliza Dushku gets for not giving fans a "Faith the Vampire Slayer" series...tossed around the schedule and cancelled before your final episode can air (add in a full second season order that was scaled back twice to become 6).
Life On A Stick -- 1 Season/Anywhere between 8 and 11 episodes/3 to 6 Unaired -- I'm not sure how many episodes were made of this quirky and bizarre show, but I hope FOX at least burns off the unaired ones.
Jonny Zero -- 1 Season/13 Episodes/5 Unaired -- The title reminded me too much of "Johnny Bago" from several years ago, so I didn't bother watching. Is that why no one else did either?
Point Pleasant -- 1 Season/13 Episodes/5 Unaired -- Oooohhhh....spooky...there's still 5 episodes of this crap laying around somewhere.
The Casino -- 1 Season/13 Episodes -- It's odd that FOX couldn't do more episodes of something that seems to have taken on a life of its own on Discovery & Travel.
Kelsey Grammar Presents: The Sketch Show -- 1 Season/6 Episodes/2 Unaired -- Apparently this may still be airing as someone's said something about the former Frasier star playing Beast in the next "X-Men" movie...that's a sketch for the show and not a real piece of news, right?
Oliver Beene -- 2 Seasons/24 Episodes/2 Unaired -- Remember this one? I had to really reach back to remember I think I may have actually seen most of the episodes that aired. I must get a life.
The Swan -- 2 Seasons/19 Episodes -- Apparently, there is a G-d...it just took him a while (19 episodes) to notice what we were doing before decreeing this disgusting waste of humanity get cancelled.
My Big Fat Obnoxious Boss -- 1 Season/10 Episodes/5 Unaired -- If it had been about Rupert Murdoch instead of a chimp it may have done better...or maybe it was about Murdoch anyway.
Who's Your Daddy -- 1 Season/?? Episodes/?? Unaired -- Only 1 episode of this reality series that had many adoption advocates joinging the NRA and attempting to gun down FOX executives ever aired. We should all be thankful that it didn't get any further...that's what soap operas are for.
Returning Shows:
Arrested Development -- 3rd Season -- FOX was smart to bring this GREAT show back for a third season...if you're not watching this...well...I've already used that threat about people not watching "Lost"...you should be watching this...let's hope Fox Home Video gets season 2 on DVD before season 3 starts to catch everyone up to speed. And now that its on Monday nights, you have no excuse...there's nothing else on.
House -- 2nd Season -- I just started watching this show...it was in a tough slot for us, but the one or two episodes I did catch I liked...so we'll catch up this summer (when we have nothing to do but change diapers).
That 70s Show -- 8th Season -- It looked like Bret Harrison of "Grounded For Life" was going to replace the departing Topher Grace...but Harrison's got his own new show starting mid-season (see "The Loop" below)...so I guess this aging comedy will just come back with whoever's left. Once upon a time it was fresh and smart and original...now it's just stale and boring...kind of like the 1970s.
Stacked -- 2nd Season -- While it's funny, I'd have prefered to see "Life On A Stick" or "Quintuplets" come back.
The OC -- 3rd Season -- Don't watch it, but it's nice to know George Lucas isn't beyond pimping his products on network TV shows that his kids like.
The Bernie Mac Show -- 5th Season -- Wow...a short 4th season that was barely funny actually led to a 5th season...I hope it improves.
Malcolm In The Middle -- 7th Season -- After "Arrested Development" this is the funniest show on TV. Hands down. It has been consistently funny since the first episode of the first season...something that hasn't been done since the first nine seasons of "Frasier". I hope they can keep it up (although the move to Fridays may spell the end for the show).
Cops -- 18th Season -- Come on everyone...sing a long...Bad boys, bad boys, whatcha gonna do when they come for you?
America's Most Wanted -- 19th Season -- Wow...and yet we still have crime.
King Of The Hill -- 10th Season -- This show, which I still love dearly, easily gets the first prize for "Coach" award (as in..."this is still on TV???")
The Simpsons -- 17th Season -- Okay...this is still my favorite show of all time, but even I can be critical of it when it's bad...the 15th season was bad...all over the place, silly, pointless bad...this last season was an improvement...but after this many years the writers are bound to run out of steam for a string of episodes. Even when it's bad, there's still plenty to quote though.
Family Guy -- 4th or 5th Season -- With FOX's new year round scheduling, the concept of seasons kind of goes out the window. New episodes of what is obviously the 4th Season just started...but we don't know when they'll end (same with "American Dad")...so that's why I've got my odd listing...more importantly...this show is still hysterically funny and very repeatable when it comes to watching episodes.
American Dad -- 1st or 2nd Season -- Unfortunately, this show isn't as funny as the other animated shows on FOX...but it's not "Fish Police" either...and it is growing on me...it's hit or miss at best...but I'm sure they'll find their stride here. It took "Family Guy" a while to find its sride.
American Idol -- 5th Season -- Come talk to me when the show starts trotting out good musicians and isn't destroying the concept of music as an art form.
New Shows:
Kitchen Confidential -- this sitcom based on the real life book by chef Anthony Bourdain is set in a restaurant and stars Bradley Cooper, Nicholas Brendon and John F. Daley. Could be good. I'll watch for a bit to see if it hooks me.
Prison Break This has the most intriguing premise, as like "Lost", I don't see how from the description it will sustain more than a season...but good luck trying...I'll watch. A man purposely robs a bank to get thrown in jail so he can help break his brother, who's on death row, out of prison with the use of the prison blueprints he has hold of. Dominic Purcell (of "John Doe"), Peter Stormare and Stacy Keach star.
Bones -- Emily Deschannel and David Boreanaz star in this procedural drama about a forensic anthropologist who assits law enforcement in solving crimes. The cast gets me to watch what's become a rather boring premise.
Head Cases -- Chris O'Donnell, Adam Goldberg and Rachel Leigh Cook star in this "dramady" about a lawyer who tries to rebuild his life after a nervous breakdown. Again, the cast gets a shot in spite of the premise.
Reunion -- This unique show follows the lives of a group of friends from high school graduation to their 20th Reunion. The timeline is apparently all over the prlace but mostly moves forward after starting at the funeral of one of them. Sounds very intriguing. It gets a few episodes from me.
The Gate/Deviant Behavior -- Depending on what you read they're not sure of the title...but it's a procedural drama. Yawn...but it does have Chi McBride in it.
The War At Home -- Look a sitcom about a disfunctional family. We haven't seen that in a while. Michael Rapaport and Anita Barone star.
The Loop -- Bret Harrison stars as the youngest executive of a company trying to set his priorities in life. Eric Christian Olsen, Mimi Rogers and Philip Baker Hall also star. Meh.
The Inside -- Rachel Nichols stars in this procedural drama about FBI agents who track serial killers. That would be a yawn if it weren't from the minds behind "Wonderfalls" and "Angel". I'm ready. Premieres June 8.
Hell's Kitchen -- didn't anyone at FOX watch "The Restaurant" on NBC? Premieres May 30.
The Princes Of Malibu -- Bruce Jenner's sons try and replicate what Paris & Nicole have done...they may as well try invading a country as well...it'd be just as entertaining with less casualties...what's left of American dignity should go up in flames with this one. Premieres July 10
So You Think You Can Dance -- It starts July 20 and is basically "American Idol" with dancers. Blah.
"Mid-Season" Replacements:
Nanny 911 -- 2nd Season -- If "Supernanny" is like Batman, then this must be the Commissioner Gordon of Nannies...sorry...I got nothing to say about this show. It just takes up space.
Trading Spouses -- 2nd Season -- Again...it'd be better if it was the porn the title suggests. It also just takes up space.
Freebirds -- It's about young people trying to figure out life after college. There's a novel idea for a sitcom.
The Simple Life -- 4th Season -- Okay folks...you want to know why every country on the planet HATES the U.S.? It's not our foreign policy...it's not our arrogant ways...it's not even jealousy of our freedoms...it's the fact that we have elevated the vapid bitch known as Paris Hilton into an uber-celebrity and worship at her alter. Until we rectify this issue we'll continue to be the scorn of everyone everywhere...and deservedly so.
Renovate My Family -- 2nd Season -- It's a step above "The Swan"...maybe they should just work on getting the Hilton sisters real lives?
Well...that's next fall...I'll be back in a few days with a breakdown of what I'm hoping to do about it (Malcolm...my son, not the TV series...may prevent it from becoming a reality since our lives our going to CHANGE FOREVER -- sorry...everytime someone tells me that I tend to equate it to an arm falling off...it's gotten a bit meaningless to us...but more on that as well in a few days).
I'll also give you a run down of summer shows and cable shows premiering and returning.
Be seeing you.
First...Who's portrayal took a 3rd string comic villain that hadn't been seen in years and turned him into an A list fictional character??? I'd like to mention the passing of Frank Gorshin...while best known as The Riddler on "Batman", he was actually a very versatile impressionist and a very talented actor. His last appearance is apparently on the season finale of "CSI"(may have to break my boycott early just to check him out one last time). He will be missed.
Second...UPN's schedule is not really something I care much about. They're moving "Veronica Mars" to Wednesdays at 9pm which puts it up against "Criminal Minds" on CBS, "Head Cases" on FOX, "Lost" on ABC and "E-Ring" on NBC...meaning this is the time slot where every DVR and VCR in the house will be active trying to catch it all (well...I'm sure "E-Ring" and "Head Cases" won't last on my watch too long).
The rest of UPN's lineup is the same with the addition of a few new comedies (including one made by Chris Rock) and the moving of wrestling to Fridays where it'll be less embarassing.
Now...on to FOX's lineups...
Last May, FOX announced a three-pronged schedule for the 2004-2005 Season. It essentially started in June and ran through May with shows being jockeyed in and out over the course of the season. This year, we got a two-pronged schedule with the same concept. Although there are a few new shows starting this June that aren't part of this schedule, I'll be discussing them anyway...
On to cancelled shows:
There were three shows announced by FOX last year that never actually made it to the small screen...Athens, The Partner and Related by Family...lucky for us...I won't bother reminding you what they were about (you can find last year's post now on the website).
North Shore -- 1 Season/20 Episodes -- Didn't see it. Oh well. Too late now.
The Complex: Malibu -- 1 Season/8 Episodes -- Remember this? Me neither.
The Rebel Billionaire -- 1 Season/11 Episodes -- Sir Richard Branson tries to trump Trump and fails miserably.
Quintuplets -- 1 Season/22 Episodes -- Of all the shows, I'll miss this one the most. Andy Richter will someday have a successful show of his own that lasts for a while.
Method & Red -- 1 Season/13 Episodes/5 Unaired -- Caught one episode...didn't find it funny...apparently neither did anyone else.
The Next Great Champ -- 1 Season/10 Episodes -- Cause you can't see enough amateur boxing on TV.
The Jury -- 1 Season/10 Episodes -- It was what "Law & Order: Trial By Jury" should have been...but they're both gone and we miss out on something (not sure what).
Tru Calling -- 2 Seasons/26 Episodes/1 Unaired -- That's what Eliza Dushku gets for not giving fans a "Faith the Vampire Slayer" series...tossed around the schedule and cancelled before your final episode can air (add in a full second season order that was scaled back twice to become 6).
Life On A Stick -- 1 Season/Anywhere between 8 and 11 episodes/3 to 6 Unaired -- I'm not sure how many episodes were made of this quirky and bizarre show, but I hope FOX at least burns off the unaired ones.
Jonny Zero -- 1 Season/13 Episodes/5 Unaired -- The title reminded me too much of "Johnny Bago" from several years ago, so I didn't bother watching. Is that why no one else did either?
Point Pleasant -- 1 Season/13 Episodes/5 Unaired -- Oooohhhh....spooky...there's still 5 episodes of this crap laying around somewhere.
The Casino -- 1 Season/13 Episodes -- It's odd that FOX couldn't do more episodes of something that seems to have taken on a life of its own on Discovery & Travel.
Kelsey Grammar Presents: The Sketch Show -- 1 Season/6 Episodes/2 Unaired -- Apparently this may still be airing as someone's said something about the former Frasier star playing Beast in the next "X-Men" movie...that's a sketch for the show and not a real piece of news, right?
Oliver Beene -- 2 Seasons/24 Episodes/2 Unaired -- Remember this one? I had to really reach back to remember I think I may have actually seen most of the episodes that aired. I must get a life.
The Swan -- 2 Seasons/19 Episodes -- Apparently, there is a G-d...it just took him a while (19 episodes) to notice what we were doing before decreeing this disgusting waste of humanity get cancelled.
My Big Fat Obnoxious Boss -- 1 Season/10 Episodes/5 Unaired -- If it had been about Rupert Murdoch instead of a chimp it may have done better...or maybe it was about Murdoch anyway.
Who's Your Daddy -- 1 Season/?? Episodes/?? Unaired -- Only 1 episode of this reality series that had many adoption advocates joinging the NRA and attempting to gun down FOX executives ever aired. We should all be thankful that it didn't get any further...that's what soap operas are for.
Returning Shows:
Arrested Development -- 3rd Season -- FOX was smart to bring this GREAT show back for a third season...if you're not watching this...well...I've already used that threat about people not watching "Lost"...you should be watching this...let's hope Fox Home Video gets season 2 on DVD before season 3 starts to catch everyone up to speed. And now that its on Monday nights, you have no excuse...there's nothing else on.
House -- 2nd Season -- I just started watching this show...it was in a tough slot for us, but the one or two episodes I did catch I liked...so we'll catch up this summer (when we have nothing to do but change diapers).
That 70s Show -- 8th Season -- It looked like Bret Harrison of "Grounded For Life" was going to replace the departing Topher Grace...but Harrison's got his own new show starting mid-season (see "The Loop" below)...so I guess this aging comedy will just come back with whoever's left. Once upon a time it was fresh and smart and original...now it's just stale and boring...kind of like the 1970s.
Stacked -- 2nd Season -- While it's funny, I'd have prefered to see "Life On A Stick" or "Quintuplets" come back.
The OC -- 3rd Season -- Don't watch it, but it's nice to know George Lucas isn't beyond pimping his products on network TV shows that his kids like.
The Bernie Mac Show -- 5th Season -- Wow...a short 4th season that was barely funny actually led to a 5th season...I hope it improves.
Malcolm In The Middle -- 7th Season -- After "Arrested Development" this is the funniest show on TV. Hands down. It has been consistently funny since the first episode of the first season...something that hasn't been done since the first nine seasons of "Frasier". I hope they can keep it up (although the move to Fridays may spell the end for the show).
Cops -- 18th Season -- Come on everyone...sing a long...Bad boys, bad boys, whatcha gonna do when they come for you?
America's Most Wanted -- 19th Season -- Wow...and yet we still have crime.
King Of The Hill -- 10th Season -- This show, which I still love dearly, easily gets the first prize for "Coach" award (as in..."this is still on TV???")
The Simpsons -- 17th Season -- Okay...this is still my favorite show of all time, but even I can be critical of it when it's bad...the 15th season was bad...all over the place, silly, pointless bad...this last season was an improvement...but after this many years the writers are bound to run out of steam for a string of episodes. Even when it's bad, there's still plenty to quote though.
Family Guy -- 4th or 5th Season -- With FOX's new year round scheduling, the concept of seasons kind of goes out the window. New episodes of what is obviously the 4th Season just started...but we don't know when they'll end (same with "American Dad")...so that's why I've got my odd listing...more importantly...this show is still hysterically funny and very repeatable when it comes to watching episodes.
American Dad -- 1st or 2nd Season -- Unfortunately, this show isn't as funny as the other animated shows on FOX...but it's not "Fish Police" either...and it is growing on me...it's hit or miss at best...but I'm sure they'll find their stride here. It took "Family Guy" a while to find its sride.
American Idol -- 5th Season -- Come talk to me when the show starts trotting out good musicians and isn't destroying the concept of music as an art form.
New Shows:
Kitchen Confidential -- this sitcom based on the real life book by chef Anthony Bourdain is set in a restaurant and stars Bradley Cooper, Nicholas Brendon and John F. Daley. Could be good. I'll watch for a bit to see if it hooks me.
Prison Break This has the most intriguing premise, as like "Lost", I don't see how from the description it will sustain more than a season...but good luck trying...I'll watch. A man purposely robs a bank to get thrown in jail so he can help break his brother, who's on death row, out of prison with the use of the prison blueprints he has hold of. Dominic Purcell (of "John Doe"), Peter Stormare and Stacy Keach star.
Bones -- Emily Deschannel and David Boreanaz star in this procedural drama about a forensic anthropologist who assits law enforcement in solving crimes. The cast gets me to watch what's become a rather boring premise.
Head Cases -- Chris O'Donnell, Adam Goldberg and Rachel Leigh Cook star in this "dramady" about a lawyer who tries to rebuild his life after a nervous breakdown. Again, the cast gets a shot in spite of the premise.
Reunion -- This unique show follows the lives of a group of friends from high school graduation to their 20th Reunion. The timeline is apparently all over the prlace but mostly moves forward after starting at the funeral of one of them. Sounds very intriguing. It gets a few episodes from me.
The Gate/Deviant Behavior -- Depending on what you read they're not sure of the title...but it's a procedural drama. Yawn...but it does have Chi McBride in it.
The War At Home -- Look a sitcom about a disfunctional family. We haven't seen that in a while. Michael Rapaport and Anita Barone star.
The Loop -- Bret Harrison stars as the youngest executive of a company trying to set his priorities in life. Eric Christian Olsen, Mimi Rogers and Philip Baker Hall also star. Meh.
The Inside -- Rachel Nichols stars in this procedural drama about FBI agents who track serial killers. That would be a yawn if it weren't from the minds behind "Wonderfalls" and "Angel". I'm ready. Premieres June 8.
Hell's Kitchen -- didn't anyone at FOX watch "The Restaurant" on NBC? Premieres May 30.
The Princes Of Malibu -- Bruce Jenner's sons try and replicate what Paris & Nicole have done...they may as well try invading a country as well...it'd be just as entertaining with less casualties...what's left of American dignity should go up in flames with this one. Premieres July 10
So You Think You Can Dance -- It starts July 20 and is basically "American Idol" with dancers. Blah.
"Mid-Season" Replacements:
Nanny 911 -- 2nd Season -- If "Supernanny" is like Batman, then this must be the Commissioner Gordon of Nannies...sorry...I got nothing to say about this show. It just takes up space.
Trading Spouses -- 2nd Season -- Again...it'd be better if it was the porn the title suggests. It also just takes up space.
Freebirds -- It's about young people trying to figure out life after college. There's a novel idea for a sitcom.
The Simple Life -- 4th Season -- Okay folks...you want to know why every country on the planet HATES the U.S.? It's not our foreign policy...it's not our arrogant ways...it's not even jealousy of our freedoms...it's the fact that we have elevated the vapid bitch known as Paris Hilton into an uber-celebrity and worship at her alter. Until we rectify this issue we'll continue to be the scorn of everyone everywhere...and deservedly so.
Renovate My Family -- 2nd Season -- It's a step above "The Swan"...maybe they should just work on getting the Hilton sisters real lives?
Well...that's next fall...I'll be back in a few days with a breakdown of what I'm hoping to do about it (Malcolm...my son, not the TV series...may prevent it from becoming a reality since our lives our going to CHANGE FOREVER -- sorry...everytime someone tells me that I tend to equate it to an arm falling off...it's gotten a bit meaningless to us...but more on that as well in a few days).
I'll also give you a run down of summer shows and cable shows premiering and returning.
Be seeing you.
Wednesday, May 18, 2005
CBS: Forwards...
Okay...now I don't think I've even bothered dealing with CBS' new fall schedule for the last few years because I've pretty much had a boycott in place (I'm not going to rehash why here).
This year I'm actually going to comment on a few of the new shows as I may decide to finally and officially break the boycott...but I still have a few months to make that decision. I know it'll make my wife happy (she's tired of my "freaking out" every time the cable box has to be turned back on and we need to quickly flip from channel 2).
It has been five years since I've watched a CBS show...so I can't comment on shows that are not returning this upcoming season.
I also feel I can't really comment on shows that are returning this upcoming season...beyond the "CSI" franchise which I have been watching on DVD as they come out...though I haven't seen the New York version yet.
With all that in mind...here's a look at their new shows:
How I Met Your Mother -- This sitcom stars Neil Patrick Harris, Alyson Hannigan, Josh Radnor and Jason Segel with Bob Saget doing a voice over from the future (the whole show is a flashback...like "Jack & Bobby" I suppose). It's young people in love...but the cast may make it worthwhile.
Out of Practice -- From the creators of "Frasier" comes this comedy about a family of doctors starring Henry Winkler, Stockard Channing, Paula Marshall, Christopher Gorham and Ty Burell. Could also be worthwhile.
Close To Home -- Jerry Bruckheimer brings us another legal drama. Yawn.
Criminal Minds -- Here's the reason I'd break the boycott. Mandy Patinkin's back on TV in this show about an elite FBI team that tracks serial killers. It also stars Thomas Gibson (he was Greg of "Dharma & Greg" fame).
Ghost Whisperer -- Whenever one network has a success with a show, the others will eventually try and copy it. So here's CBS' version of "Medium" starring Jennifer Love Hewitt. This would not be a reason to end my boycott (and is a good reason to keep it in place).
Threshold -- This sci-fi show is from the combined minds of people involved in "Star Trek" (the good ones), "Blade" and "Harry Potter". It boasts a cast that includes Carla Gugino, Charles S. Dutton and Brent Spiner. It's about a team that discovers a UFO in the ocean and tries to unlock its secrets. Sounds interesting...If I do break the boycott, this is on my list of things to try out.
And the mid-season replacements are:
The Unit -- The last show I watched on CBS also starred Dennis Haysbert. This one not only has him, but it also includes Robert Patrick, Soctt Foley and Amy Acker and has David Mamet as an executive producer. The description's a bit lacking (a special ops force that travels the world doing covert work), but the cast and creative team makes this a must see (or at least an "I'll give it a shot if I break the boycott").
Everything I Know About Men -- Jenna Elfman stars in a sitcom. Yawn.
And the full CBS schedule is:
Mondays 8pm King of Queens
8:30 How I Met Your Mother
9pm Two and a Half Men
9:30 Out of Practice
10pm CSI: Miami
Tuesdays
8pm NCIS
9pm The Amazing Race
10pm Close To Home
Wednesdays
8pm Still Standing
8:30 Yes Dear
9pm Criminal Minds
10pm CSI: New York
Thursdays
8pm Survivor
9pm CSI
10pm Without A Trace
Fridays
8pm Ghost Whisperer
9pm Threshold
10pm Numbers
Saturdays
8pm Saturday Crime Time
10pm 48 Hours Mystery
Sundays
7pm 60 MInutes
8pm Cold Case
9pm Movie
Tomorrow we're back with FOX and a bit about UPN (assuming they have anything worthwhile beyond "Veronica Mars" and that top secret "Star Trek" project).
Be seeing you.
This year I'm actually going to comment on a few of the new shows as I may decide to finally and officially break the boycott...but I still have a few months to make that decision. I know it'll make my wife happy (she's tired of my "freaking out" every time the cable box has to be turned back on and we need to quickly flip from channel 2).
It has been five years since I've watched a CBS show...so I can't comment on shows that are not returning this upcoming season.
I also feel I can't really comment on shows that are returning this upcoming season...beyond the "CSI" franchise which I have been watching on DVD as they come out...though I haven't seen the New York version yet.
With all that in mind...here's a look at their new shows:
How I Met Your Mother -- This sitcom stars Neil Patrick Harris, Alyson Hannigan, Josh Radnor and Jason Segel with Bob Saget doing a voice over from the future (the whole show is a flashback...like "Jack & Bobby" I suppose). It's young people in love...but the cast may make it worthwhile.
Out of Practice -- From the creators of "Frasier" comes this comedy about a family of doctors starring Henry Winkler, Stockard Channing, Paula Marshall, Christopher Gorham and Ty Burell. Could also be worthwhile.
Close To Home -- Jerry Bruckheimer brings us another legal drama. Yawn.
Criminal Minds -- Here's the reason I'd break the boycott. Mandy Patinkin's back on TV in this show about an elite FBI team that tracks serial killers. It also stars Thomas Gibson (he was Greg of "Dharma & Greg" fame).
Ghost Whisperer -- Whenever one network has a success with a show, the others will eventually try and copy it. So here's CBS' version of "Medium" starring Jennifer Love Hewitt. This would not be a reason to end my boycott (and is a good reason to keep it in place).
Threshold -- This sci-fi show is from the combined minds of people involved in "Star Trek" (the good ones), "Blade" and "Harry Potter". It boasts a cast that includes Carla Gugino, Charles S. Dutton and Brent Spiner. It's about a team that discovers a UFO in the ocean and tries to unlock its secrets. Sounds interesting...If I do break the boycott, this is on my list of things to try out.
And the mid-season replacements are:
The Unit -- The last show I watched on CBS also starred Dennis Haysbert. This one not only has him, but it also includes Robert Patrick, Soctt Foley and Amy Acker and has David Mamet as an executive producer. The description's a bit lacking (a special ops force that travels the world doing covert work), but the cast and creative team makes this a must see (or at least an "I'll give it a shot if I break the boycott").
Everything I Know About Men -- Jenna Elfman stars in a sitcom. Yawn.
And the full CBS schedule is:
Mondays 8pm King of Queens
8:30 How I Met Your Mother
9pm Two and a Half Men
9:30 Out of Practice
10pm CSI: Miami
Tuesdays
8pm NCIS
9pm The Amazing Race
10pm Close To Home
Wednesdays
8pm Still Standing
8:30 Yes Dear
9pm Criminal Minds
10pm CSI: New York
Thursdays
8pm Survivor
9pm CSI
10pm Without A Trace
Fridays
8pm Ghost Whisperer
9pm Threshold
10pm Numbers
Saturdays
8pm Saturday Crime Time
10pm 48 Hours Mystery
Sundays
7pm 60 MInutes
8pm Cold Case
9pm Movie
Tomorrow we're back with FOX and a bit about UPN (assuming they have anything worthwhile beyond "Veronica Mars" and that top secret "Star Trek" project).
Be seeing you.
The WB: Forwards and Backwards 2005
Today's topic covers The WB and all of its shows from this past season with a look ahead to next season.
Cancelled shows:
Drew Carey's Green Screen -- 1 Season/13 Episodes/8 Unaired -- Drew Carey's last gasp at TV stardom died a quick and painless death (maybe it was painless...I didn't see any episodes).
Grounded For Life -- 5 Seasons/91 Episodes/2 Unaired -- I really liked this show and in spite of some odd handling of bizarre casting situations (2 characters disappeared from the screen at various points but were mentioned as if they were still around on a regular basis) it always brought a smile to my face and gave me something to while away the time with on Friday nights.
High School Reunion -- 3 Seasons/21 Episodes -- Ha...the show didn't even make it past junior year before flunking out.
Jack & Bobby -- 1 Season/22 Episodes -- This was a really good show. Luckily, we did get some sort of closure to this story of two brothers who would eventually go on to successful political careers. It will be missed.
The Mountain -- 1 Season/13 Episodes -- Didn't see it. Must have been a very small mountain.
Summerland -- 2 Seasons/26 Episodes/4 Unaired -- Don't watch this either, so can't comment.
Steve Harvey's Big Time Challenge -- 2 Seasons/43 Episodes -- Wow...a year with no Steve Harvey? What will The WB do?
Returning Shows:
7th Heaven -- 10th Season -- This is still on the air?
Gilmore Girls -- 6th Season -- I saw a bit of this its first year, it wasn't bad, but I haven't watched it since. Six years huh? Wow!
One Tree Hill -- 3rd Season -- Don't know. Don't care.
Smallville -- 5th Season -- Okay...coming off of an amazing 3rd Season, this show started strong and then spent most of the year spinning its wheels. Some plots were great (Lionel's supposed reformation, Chloe finding out Clark's secret, the intro of Lois Lane) while others were just abysmal (Lionel's evil side returning too quickly, the intro of Lois, Lana being possesed and the entire storyline involving Jason Teague and his mother). Add in a few "freak of the week" episodes too many and season 4 becomes the weakest of all. Luckily, some of this stuff corrected itself in the season's penultimate hour. But I have yet to see the season finale...so maybe that'll change things for the better even more.
Everwood -- 4th Season -- One of the things I liked about this show, the narration, was removed for this season. While I do miss it, it wasn't that important...it just added to the "homey" feel the show has. This season was just as wonderful as last and I'm glad its coming back. Treat Williams is one of the most underrated actors on TV today.
What I Like About You -- 4th Season -- I don't think I've ever even seen an episode.
Reba -- 5th Season -- It's cute, but it doesn't draw me on a weekly basis.
Living With Fran -- 2nd Season -- I have yet to see this. I watched all 6 years of "The Nanny" do I have to see this as well?
Charmed -- 8th Season -- This "Buffy"-ish show has now lasted longer than the show that inspired it. I haven't seen an episode in about 5 years, but I do remember enjoying it...so there must be a reason or three its still on.
Blue Collar TV -- 2nd Season -- If you watch this show, you just might be a redneck. Okay...it's BLUE collar TV and yet it's more popular in RED states...or is that correct...I can never remember which state is what color anymore. Eh...we're all living in the dark anyway does it matter?
New Shows:
Just Legal -- Jerry Bruckheimer brings us a new law show starring Don Johnson that mixes "L.A. Law" and "Doogie Howser" as we follow a 19 year old legal whiz and the law firm he's connected to.Do we really need another legal drama?
Supernatural -- Two brothers search for their missing father and encounter lots of evil supernatural forces along the way. Sounds like a weird clone of "Freakylinks" without "The Blair Witch" aspect. I'll give it a shot or three.
Related -- I think NBC did this show a number of years ago and called it "Sisters"...which would have been much more interesting had it been more like the Brian DePalma film of the same title...this sounds missable.
Twins -- Okay...this sitcom actually sounds interesting if only because it could be a train wreck of massive size. Sara Gilbert and Molly Stanton plays twins (hence the title) and their parents are Mark Linn-Baker (of "Perfect Strangers" fame) and...wait for it...Melanie Griffith???!!! Hmmm...I'll give it a shot just to see how bad this could be.
Mid Season:
Pepper Dennis -- Rebecca Romijn stars as a reporter. That's believable, no?
The Bedford Diaries -- Here's an odd show from the producers of "Oz" and "Homicide". Matthew Modine stars as a college professor teaching a class on Human Sexuality at a New York City college. We get to meet his students as we explore their lives outside of his class. How much sex can one network cram into an hour?
Misconceptions -- Jane Leeves stars as a single mother whose daughter finally decides to find out who her biological father was. It also stars French Stewart (who is just Leeves best friend and not the biological father). Hilarity ensues when the father turns out to be very opposite from the mother and the daughter really likes him. Meh.
Modern Men -- the renewal of "Jake In Progress" has already forced this show to recast the female lead (played by Wendy Malick)...so these three life-long friends will have to find a new life-coach to guide them through the different stages each one is at. At least they still have George Wendt.
So the full schedule reads as follows:
Mondays
8pm 7th Heaven
9pm Just Legal
Tuesdays
8pm Gilmore Girls
9pm Supernatural
Wednesdays
8pm One Tree Hill
9pm Related
Thursdays
8pm Smallville
9pm Everwood
Fridays
8pm Twins
8:30 What I Like About You
9pm Reba
9:30 Living With Fran
Sundays
5pm Easy View: What I Like About You
5:30 Easy View: What I Like About You
6pm Easy View: One Tree Hill
7pm Easy View: Reba
7:30 Easy View: Reba
8pm Charmed
9pm Blue Collar TV
Next up...yes...he's actually going to report on CBS even though he's still boycotting the network. Could the boycott be at an end? Will he really look at CBS' new fall lineup? Stay tuned and find out...
Be seeing you.
Cancelled shows:
Drew Carey's Green Screen -- 1 Season/13 Episodes/8 Unaired -- Drew Carey's last gasp at TV stardom died a quick and painless death (maybe it was painless...I didn't see any episodes).
Grounded For Life -- 5 Seasons/91 Episodes/2 Unaired -- I really liked this show and in spite of some odd handling of bizarre casting situations (2 characters disappeared from the screen at various points but were mentioned as if they were still around on a regular basis) it always brought a smile to my face and gave me something to while away the time with on Friday nights.
High School Reunion -- 3 Seasons/21 Episodes -- Ha...the show didn't even make it past junior year before flunking out.
Jack & Bobby -- 1 Season/22 Episodes -- This was a really good show. Luckily, we did get some sort of closure to this story of two brothers who would eventually go on to successful political careers. It will be missed.
The Mountain -- 1 Season/13 Episodes -- Didn't see it. Must have been a very small mountain.
Summerland -- 2 Seasons/26 Episodes/4 Unaired -- Don't watch this either, so can't comment.
Steve Harvey's Big Time Challenge -- 2 Seasons/43 Episodes -- Wow...a year with no Steve Harvey? What will The WB do?
Returning Shows:
7th Heaven -- 10th Season -- This is still on the air?
Gilmore Girls -- 6th Season -- I saw a bit of this its first year, it wasn't bad, but I haven't watched it since. Six years huh? Wow!
One Tree Hill -- 3rd Season -- Don't know. Don't care.
Smallville -- 5th Season -- Okay...coming off of an amazing 3rd Season, this show started strong and then spent most of the year spinning its wheels. Some plots were great (Lionel's supposed reformation, Chloe finding out Clark's secret, the intro of Lois Lane) while others were just abysmal (Lionel's evil side returning too quickly, the intro of Lois, Lana being possesed and the entire storyline involving Jason Teague and his mother). Add in a few "freak of the week" episodes too many and season 4 becomes the weakest of all. Luckily, some of this stuff corrected itself in the season's penultimate hour. But I have yet to see the season finale...so maybe that'll change things for the better even more.
Everwood -- 4th Season -- One of the things I liked about this show, the narration, was removed for this season. While I do miss it, it wasn't that important...it just added to the "homey" feel the show has. This season was just as wonderful as last and I'm glad its coming back. Treat Williams is one of the most underrated actors on TV today.
What I Like About You -- 4th Season -- I don't think I've ever even seen an episode.
Reba -- 5th Season -- It's cute, but it doesn't draw me on a weekly basis.
Living With Fran -- 2nd Season -- I have yet to see this. I watched all 6 years of "The Nanny" do I have to see this as well?
Charmed -- 8th Season -- This "Buffy"-ish show has now lasted longer than the show that inspired it. I haven't seen an episode in about 5 years, but I do remember enjoying it...so there must be a reason or three its still on.
Blue Collar TV -- 2nd Season -- If you watch this show, you just might be a redneck. Okay...it's BLUE collar TV and yet it's more popular in RED states...or is that correct...I can never remember which state is what color anymore. Eh...we're all living in the dark anyway does it matter?
New Shows:
Just Legal -- Jerry Bruckheimer brings us a new law show starring Don Johnson that mixes "L.A. Law" and "Doogie Howser" as we follow a 19 year old legal whiz and the law firm he's connected to.Do we really need another legal drama?
Supernatural -- Two brothers search for their missing father and encounter lots of evil supernatural forces along the way. Sounds like a weird clone of "Freakylinks" without "The Blair Witch" aspect. I'll give it a shot or three.
Related -- I think NBC did this show a number of years ago and called it "Sisters"...which would have been much more interesting had it been more like the Brian DePalma film of the same title...this sounds missable.
Twins -- Okay...this sitcom actually sounds interesting if only because it could be a train wreck of massive size. Sara Gilbert and Molly Stanton plays twins (hence the title) and their parents are Mark Linn-Baker (of "Perfect Strangers" fame) and...wait for it...Melanie Griffith???!!! Hmmm...I'll give it a shot just to see how bad this could be.
Mid Season:
Pepper Dennis -- Rebecca Romijn stars as a reporter. That's believable, no?
The Bedford Diaries -- Here's an odd show from the producers of "Oz" and "Homicide". Matthew Modine stars as a college professor teaching a class on Human Sexuality at a New York City college. We get to meet his students as we explore their lives outside of his class. How much sex can one network cram into an hour?
Misconceptions -- Jane Leeves stars as a single mother whose daughter finally decides to find out who her biological father was. It also stars French Stewart (who is just Leeves best friend and not the biological father). Hilarity ensues when the father turns out to be very opposite from the mother and the daughter really likes him. Meh.
Modern Men -- the renewal of "Jake In Progress" has already forced this show to recast the female lead (played by Wendy Malick)...so these three life-long friends will have to find a new life-coach to guide them through the different stages each one is at. At least they still have George Wendt.
So the full schedule reads as follows:
Mondays
8pm 7th Heaven
9pm Just Legal
Tuesdays
8pm Gilmore Girls
9pm Supernatural
Wednesdays
8pm One Tree Hill
9pm Related
Thursdays
8pm Smallville
9pm Everwood
Fridays
8pm Twins
8:30 What I Like About You
9pm Reba
9:30 Living With Fran
Sundays
5pm Easy View: What I Like About You
5:30 Easy View: What I Like About You
6pm Easy View: One Tree Hill
7pm Easy View: Reba
7:30 Easy View: Reba
8pm Charmed
9pm Blue Collar TV
Next up...yes...he's actually going to report on CBS even though he's still boycotting the network. Could the boycott be at an end? Will he really look at CBS' new fall lineup? Stay tuned and find out...
Be seeing you.
Tuesday, May 17, 2005
ABC: Forwards and Backwards 2005
In Part Two we look at ABC...
Here's what ABC's getting rid of:
The Benefactor -- 1 Season/6 Episodes -- A reality show no one remembers.
Blind Justice -- 1 Season/ 13 Episodes -- I think this would have worked better if it was about a blind super hero named Daredevil.
Complete Savages -- 1 Season/19 Episodes/4 Unaired -- So Mel Gibson follows up The Passion of the Christ with this?
8 Simple Rules -- 3 Seasons/76 Episodes -- This warm and fuzzy show tried to carry on after the tragic passing of star John Ritter. Admirably they made it almost two whole seasons before running out of steam and audience.
Life As We Know It -- 1 Season/13 Episodes/2 Unaired/DVD Release -- I kinda liked this show. Don't know that I'll want to own it, but maybe rent it to see what I missed.
My Wife And Kids -- 5 Seasons/123 Episodes -- Gets the "Coach" award for being on the air for so long with so few caring.
NYPD Blue -- 12 Seasons/261 Episodes -- I don't remember the last time I even bothered watching this show. I think Jimmy Smits was still on...come to think of it, I think I stopped watching around the same episodes the DVD releases have stopped coming.
Eyes -- 1 Season/13 Episodes/8 Unaired -- Of all the shows to get cancelled this year, I'll miss this one the most. Tim Daly is a very charismatic actor I'll give a chance in anything (like Scott Bakula...the only reason I even gave "Star Trek: Enterprise" three episodes to begin with). This show was what TV should be. Fun and engaging.
Here's what's coming back:
Wife Swap -- 2nd Season -- Ugh! Maybe if it was actually the porn the title suggests it'd be more interesting.
Monday Night Football -- 37th Season -- This is the last season for this institution on ABC. Nothing lasts forever.
According To Jim -- 5th Season -- Hey look...it's going for "Coach"'s record.
Rodney -- 2nd Season -- Huh?
Boston Legal -- 2nd Season -- Thankfully back for more even with the truncated 1st season. Easily one of the funniest shows on TV.
George Lopez -- 5th Season -- Uh oh...looks like "According To Jim" has some competition.
Lost -- 2nd Season -- Easily the best show on TV. If you're not watching it, you should just take your TV back to wherever you bought it. You don't deserve to have it.
Alias -- 5th Season -- Still interesting, but starting to feel like a slowly collapsing flan. I think Garner's pregnancy will only hasten the flatness.
Primetime Live -- 17th Season -- It's "news". Does anyone care?
Supernanny -- 2nd Season -- Her super powers include super cleaning and speedy diaper changes. Her weaknesses are low ratings and poop streaks on walls.
Hope & Faith -- 3rd Season -- It's cute...but a third season? Come on.
20/20 --28th Season -- Look ma, more "news".
America's Funniest Home Videos -- 16th Season -- Wow. Who knew there was that much footage of guys getting slammed in the nuts and cats falling off of TVs? Where's PETA when you need them?
Exterme Makeover -- 3rd Season -- I think this show should be required to make over EVERY house in the US. And to do it with "real" contractors. That'd get me watching.
Desperate Housewives -- 2nd Season -- Okay...if you're not watching "Lost" you had better be watching this...
Gray's Anatomy -- 2nd Season -- I don't get it. Don't care to. Yawn.
Here are the new shows:
Commander In Chief --Geena Davis stars as the first female President of the United States. The show also stars Donald Sutherand and Kyle Secor (I guess Jake Kane won't be back for the second season of "Veronica Mars"). I'll give it a shot depending on my mood this fall.
Freddie -- Freddie Prinze + half hour sitcom = does anyone care?
Invasion -- Producer Shaun Cassidy (yes...the Hardy Boy) brings us this sci-fi show about a small town that may already be inhabited by aliens. If this is anything akin to "American Gothic" it's gonna be a good show. It gets the 3 episode trial from me.
The Night Stalker -- This updated rem,ake of the 1970s cult TV show that was the inspiration for "The X-Files" (and two of that shows writers are the producers of this one) stars Stuart Townsend as Carl Kolchak, a crime reporter who is also the FBI's number one suspect in a string of serial killings that started with his wife. That's ABC's description in a nut shell...will this be a running thread as Kolchak also investigates vampires, werewolves & witches or is this just one episode? Doesn't matter...I'll give it a shot. Hopefully it'll be as good as the original.
Hot Properties -- A sitcom about real estate agents. I'm assuming we'll have no choice but to at least give this a try (especially since we'll be stuck at home most Friday nights come the fall).
And for mid-season we get:
Jake In Progress -- 2nd Season -- Natasha & I really liked this very quirky comedy with a very likable cast (Rick Hoffman deserves an Emmy for his role as Patrick the weird David Blaine wannabe). Wasn't expecting a second season, but with the cliffhanger ending that sprung up AFTER the last episode's end credits I'm glad ABC is bringing it back.
Less Than Perfect -- 4th Season -- Every now and then I catch this show because I keep forgetting that I don't think Andy Dick's funny anymore (not since "Newsradio" ended) and I'm not sure Eric Roberts ever was. Doesn't Will Sasso have more talent than this?
Emily's Reasons Why Not -- Heather Graham gets a sitcom because she was so funny on "Scrubs". Meh...it'll get a one episode shot from me.
What About Brian -- It's the one hour dramatic version of "Jake In Progress". The single guy schtick probably isn't interesting without the guffaws. Pass.
Crumbs -- Fred Savage, Jane Curtain and William Devane star in this sitcom about a disfunctional family. That's an original idea, no? We'll see...the cast gets it a trial run from me.
The Evidence -- Because we just don't have enough cop shows on TV (the new term "Police Procedural" makes it sound like something else...it's a cop show). Stars Orlando Jones, Nicky Katt and Martin Landau...hmmm...this just got a bit interesting.
Sons & Daughters -- Hey look...another sitcom about a disfunctional family...this one's produced by Lorne Michaels and has Dee Wallace?? Is she funny? I'll never know...
The Miracle Workers -- A new reality show about doctors who heal sick people. We need more sugery on TV like I need another aneurysm. Nothing to see here...keep going...
In Justice -- Kyle MacLachlan stars in this courtroom drama about lawyers who try and get those "falsely convicted" freed from jail. Could be interesting...I'd prefer this one also had Martin Landau in it...but I'll give it a shot anyway...at least one episode.
And the full schedule:
Mondays (2005)
8pm Wife Swap
9pm Monday Night Football
Mondays (2006)
8pm The Bachelor
9pm Emily's ReasonsWhy Not
9:30 Jake In Progress
10pm What About Brian
Tuesdays
8pm According To Jim
8:30 Rodney
9pm Commander In Chief
10pm Boston Legal
Wednesdays
8pm George Lopez
8:30 Freddie
9pm Lost
10pm Invasion
Thursdays
8pm Alias
9pm The Night Stalker
10pm Primetime Live
Fridays
8pm Supernanny
9pm Hope & faith
9:30 Hot Properties
10pm 20/20
Saturdays
8pm Movies
Sundays
7pm America's Funniest Home Videos
8pm Extreme Makeover
9pm Desperate Housewives
10pm Gray's Anatomy
Next up, The WB.
Be seeing you.
Here's what ABC's getting rid of:
The Benefactor -- 1 Season/6 Episodes -- A reality show no one remembers.
Blind Justice -- 1 Season/ 13 Episodes -- I think this would have worked better if it was about a blind super hero named Daredevil.
Complete Savages -- 1 Season/19 Episodes/4 Unaired -- So Mel Gibson follows up The Passion of the Christ with this?
8 Simple Rules -- 3 Seasons/76 Episodes -- This warm and fuzzy show tried to carry on after the tragic passing of star John Ritter. Admirably they made it almost two whole seasons before running out of steam and audience.
Life As We Know It -- 1 Season/13 Episodes/2 Unaired/DVD Release -- I kinda liked this show. Don't know that I'll want to own it, but maybe rent it to see what I missed.
My Wife And Kids -- 5 Seasons/123 Episodes -- Gets the "Coach" award for being on the air for so long with so few caring.
NYPD Blue -- 12 Seasons/261 Episodes -- I don't remember the last time I even bothered watching this show. I think Jimmy Smits was still on...come to think of it, I think I stopped watching around the same episodes the DVD releases have stopped coming.
Eyes -- 1 Season/13 Episodes/8 Unaired -- Of all the shows to get cancelled this year, I'll miss this one the most. Tim Daly is a very charismatic actor I'll give a chance in anything (like Scott Bakula...the only reason I even gave "Star Trek: Enterprise" three episodes to begin with). This show was what TV should be. Fun and engaging.
Here's what's coming back:
Wife Swap -- 2nd Season -- Ugh! Maybe if it was actually the porn the title suggests it'd be more interesting.
Monday Night Football -- 37th Season -- This is the last season for this institution on ABC. Nothing lasts forever.
According To Jim -- 5th Season -- Hey look...it's going for "Coach"'s record.
Rodney -- 2nd Season -- Huh?
Boston Legal -- 2nd Season -- Thankfully back for more even with the truncated 1st season. Easily one of the funniest shows on TV.
George Lopez -- 5th Season -- Uh oh...looks like "According To Jim" has some competition.
Lost -- 2nd Season -- Easily the best show on TV. If you're not watching it, you should just take your TV back to wherever you bought it. You don't deserve to have it.
Alias -- 5th Season -- Still interesting, but starting to feel like a slowly collapsing flan. I think Garner's pregnancy will only hasten the flatness.
Primetime Live -- 17th Season -- It's "news". Does anyone care?
Supernanny -- 2nd Season -- Her super powers include super cleaning and speedy diaper changes. Her weaknesses are low ratings and poop streaks on walls.
Hope & Faith -- 3rd Season -- It's cute...but a third season? Come on.
20/20 --28th Season -- Look ma, more "news".
America's Funniest Home Videos -- 16th Season -- Wow. Who knew there was that much footage of guys getting slammed in the nuts and cats falling off of TVs? Where's PETA when you need them?
Exterme Makeover -- 3rd Season -- I think this show should be required to make over EVERY house in the US. And to do it with "real" contractors. That'd get me watching.
Desperate Housewives -- 2nd Season -- Okay...if you're not watching "Lost" you had better be watching this...
Gray's Anatomy -- 2nd Season -- I don't get it. Don't care to. Yawn.
Here are the new shows:
Commander In Chief --Geena Davis stars as the first female President of the United States. The show also stars Donald Sutherand and Kyle Secor (I guess Jake Kane won't be back for the second season of "Veronica Mars"). I'll give it a shot depending on my mood this fall.
Freddie -- Freddie Prinze + half hour sitcom = does anyone care?
Invasion -- Producer Shaun Cassidy (yes...the Hardy Boy) brings us this sci-fi show about a small town that may already be inhabited by aliens. If this is anything akin to "American Gothic" it's gonna be a good show. It gets the 3 episode trial from me.
The Night Stalker -- This updated rem,ake of the 1970s cult TV show that was the inspiration for "The X-Files" (and two of that shows writers are the producers of this one) stars Stuart Townsend as Carl Kolchak, a crime reporter who is also the FBI's number one suspect in a string of serial killings that started with his wife. That's ABC's description in a nut shell...will this be a running thread as Kolchak also investigates vampires, werewolves & witches or is this just one episode? Doesn't matter...I'll give it a shot. Hopefully it'll be as good as the original.
Hot Properties -- A sitcom about real estate agents. I'm assuming we'll have no choice but to at least give this a try (especially since we'll be stuck at home most Friday nights come the fall).
And for mid-season we get:
Jake In Progress -- 2nd Season -- Natasha & I really liked this very quirky comedy with a very likable cast (Rick Hoffman deserves an Emmy for his role as Patrick the weird David Blaine wannabe). Wasn't expecting a second season, but with the cliffhanger ending that sprung up AFTER the last episode's end credits I'm glad ABC is bringing it back.
Less Than Perfect -- 4th Season -- Every now and then I catch this show because I keep forgetting that I don't think Andy Dick's funny anymore (not since "Newsradio" ended) and I'm not sure Eric Roberts ever was. Doesn't Will Sasso have more talent than this?
Emily's Reasons Why Not -- Heather Graham gets a sitcom because she was so funny on "Scrubs". Meh...it'll get a one episode shot from me.
What About Brian -- It's the one hour dramatic version of "Jake In Progress". The single guy schtick probably isn't interesting without the guffaws. Pass.
Crumbs -- Fred Savage, Jane Curtain and William Devane star in this sitcom about a disfunctional family. That's an original idea, no? We'll see...the cast gets it a trial run from me.
The Evidence -- Because we just don't have enough cop shows on TV (the new term "Police Procedural" makes it sound like something else...it's a cop show). Stars Orlando Jones, Nicky Katt and Martin Landau...hmmm...this just got a bit interesting.
Sons & Daughters -- Hey look...another sitcom about a disfunctional family...this one's produced by Lorne Michaels and has Dee Wallace?? Is she funny? I'll never know...
The Miracle Workers -- A new reality show about doctors who heal sick people. We need more sugery on TV like I need another aneurysm. Nothing to see here...keep going...
In Justice -- Kyle MacLachlan stars in this courtroom drama about lawyers who try and get those "falsely convicted" freed from jail. Could be interesting...I'd prefer this one also had Martin Landau in it...but I'll give it a shot anyway...at least one episode.
And the full schedule:
Mondays (2005)
8pm Wife Swap
9pm Monday Night Football
Mondays (2006)
8pm The Bachelor
9pm Emily's ReasonsWhy Not
9:30 Jake In Progress
10pm What About Brian
Tuesdays
8pm According To Jim
8:30 Rodney
9pm Commander In Chief
10pm Boston Legal
Wednesdays
8pm George Lopez
8:30 Freddie
9pm Lost
10pm Invasion
Thursdays
8pm Alias
9pm The Night Stalker
10pm Primetime Live
Fridays
8pm Supernanny
9pm Hope & faith
9:30 Hot Properties
10pm 20/20
Saturdays
8pm Movies
Sundays
7pm America's Funniest Home Videos
8pm Extreme Makeover
9pm Desperate Housewives
10pm Gray's Anatomy
Next up, The WB.
Be seeing you.
Monday, May 16, 2005
NBC: Forwards and Backwards 2005
This week we start the annual look at the various networks as they announce their new fall schedules. We look at the season just ending as well as what's coming up next season. First up...
So NBC's new fall lineup has some strange suprises...but first a look at what's not returning at all.
American Dreams -- 3 Seasons/61 Episodes -- Surprised it lasted as long as it did.
Committed -- 1 Season/13 Episodes -- The nice part was this kooky comedy had some closure in case it didn't come back. Maybe they knew something.
Father of the Pride -- 1 Season/13 Episodes/2 Unaired/DVD release -- Ugh...this crappy, bizarre and tasteless piece of animated tripe gets a DVD release??
Hawaii -- 1 Season/8 Episodes/1 Unaired -- Didn't watch. Can't comment (well...could comment, but won't).
Last Comic Standing -- 3 Seasons/34 Episodes -- These stand ups weren't funny and most of them weren't exactly "fresh" either.
Law & Order: Trial By Jury -- 1 Season/13 Episodes/1 Unaired -- It's too bad this one didn't last. Bebe Newirth will find other work, I'm sure.
LAX -- 1 Season/13 Episodes -- See my comments on Hawaii.
Medical Investigation -- 1 Season/20 Episodes -- This got the three episode tryout. Yawn. I don't even remember why I didn't like it.
Revelations -- 1 Season/6 Episodes -- Missed this (only in the "didn't get to view it" mode), but regardless of NBC calling it a "mini-series" had it done well, it would be back. It will be getting a DVD release.
Third Watch -- 6 Seasons/132 Episodes -- This was on for that long? It's like "Wings" or "Coach" for the hour long dramas.
Here are the old shows that are returning:
The West Wing -- Starts 7th Season by moving to Sundays at 8pm. I still won't watch. It's not as funny as the real life version (does anyone else miss "That's My Bush").
Law & Order: Criminal Intent -- 5th Season sees Chris Noth return as he alternates with Vincent D'Onofrio. The best of the series should get some re-energizing with this new format.
Crossing Jordan -- 5th Season -- I vaguely remember watching a few episodes of this in its first season. I think its well on its way to becoming another "Third Watch"
Las Vegas -- 3rd Season -- Have yet to see an episode. My parents like it and its got James Caan...take that for what it's worth.
Medium -- 2nd Season -- TV always feels a bit brighter when there's a Glenn Gordon Carron show on the air. It's been too long.
The Biggest Loser -- 2nd Season -- a reality show to both humiliate and inspire. Wait...aren't they all like that?
The Office -- 2nd Season -- Ugh...why did this get a second season? By the time the last episode of season 1 ended I was praying it wouldn't be back. With "Scrubs" now returning mid-season, I won't be compelled to keep the TV on and wind up watching this misfire.
Law & Order: Special Victims Unit -- 7th Season -- Isn't it time for the leads to leave this show?
Law & Order -- 16th Season -- With that many years and three spin-offs under its belt, is there really any new stories they can tell?
Joey -- 2nd Season -- It's still funnier than the last few seasons of "Friends"...but that isn't saying much. We need to see more of his agent.
Will & Grace -- 8th Season -- The show is still dominated by guest stars and the secondary characters. They may appear in every episode, but Will & Grace became boring oh so long ago. Someone put them out of our misery.
The Apprentice -- 4th Run -- The only reality show I enjoy watching. Not sure why as it lost its novelty after the first run.
ER -- 12th Season -- I still stand by my pick of "Chicago Hope" as the doctor drama to watch 12 years ago. Is there anyone left from the start now?
Dateline -- 14th Season -- It's only on two days a week now (Sunday and Friday) so be thankful for small favors. Yawn. More news...like we don't get enough?
The new shows are:
Fathom -- This sci-fi show (at least that's what I'm gathering) stars Lake Bell (formerly of "Boston Legal") and is about a group of scientists who encounter some new sea creatures. Boy is that vague. It'll get the 3 episode trial from me.
My Name Is Earl -- Jason Lee stars in this sitcom about a man who has a life changing experience after winning the lottery. It's the star that gets this the 3 episode trial from me.
The Apprentice: Martha Stewart -- If you can't tell what it is by the title...isn't it great that we live in a country that treats its convicted criminals the way we do...well...the rich ones at least...I expect by mid-season we'll have a third version "The Apprentice: Enron" all set to go. I'll be passing.
E-Ring -- Dennis Hopper and Benjamin Bratt star in this Jerry Bruckheimer & Taylor Hackford produced show about the goings on inside The Pentagon. It'll be loud and flashy...haven't figured out what I plan on doing yet. It may or may not get the three episode test from me.
Three Wishes -- Because we don't have enough "Reality TV" or Amy Grant, someone decided to put the two together as the musician travels to small towns to grant people wishes. If I ask nicely and wish for crap like this to go away will she come to Stamford?
Inconceivable -- With "ER", "House" and "Gray's Anatomy" doing well it was only a matter of time before we got yet another Medical Drama. This one's set in a fertility clinic. I'll pass.
The Mid Season Replacements are:
Scrubs -- 5th Season -- Why this show got relegated to mid-season is beyond me. Luckily, we're now getting DVD releases of the early seasons to keep us warm and fuzzy.
Fear Factor -- 6th Season -- So that's how many insects and testicles one nation of TV viewers can stomach?
Four Kings -- Seth Green stars in this sitcom from the creators of "Will & Grace" about four lifelong friends who wind up moving in together. That sounds original, doesn't it? The star is what gets it a trial run from me whenever this airs (I'll guess soon after "The Office" finally tanks).
Thick and Thin -- Jessica Capshaw stars in this sitcom about a former fat woman trying to adapt to life as a skinny girl...while she's got a powerhouse supporting cast (Martin MUll, Sharon Gless), this just sounds like a bad idea all over.
The Final Schedule:
Mondays
8pm Fathom
9pm Las Vegas
10pm Medium
Tuesdays
8pm The Biggest Loser
9pm My Name Is Earl
9:30 The Office
10pm Law & Order: Special Victims Unit
Wednesdays
8pm The Apprentice: Martha Stewart
9pm E-Ring
10pm Law & Order
Thursdays
8pm Joey
8:30 Will & Grace
9pm The Apprentice
10pm ER
Fridays
8pm Three Wishes
9pm Dateline
10pm Inconceivable
Saturdays
8pm Movie
Sundays
7pm Dateline
8pm The West Wing
9pm Law & Order: Criminal Intent
10pm Crossing Jordan
Next up ABC.
Be seeing you.
So NBC's new fall lineup has some strange suprises...but first a look at what's not returning at all.
American Dreams -- 3 Seasons/61 Episodes -- Surprised it lasted as long as it did.
Committed -- 1 Season/13 Episodes -- The nice part was this kooky comedy had some closure in case it didn't come back. Maybe they knew something.
Father of the Pride -- 1 Season/13 Episodes/2 Unaired/DVD release -- Ugh...this crappy, bizarre and tasteless piece of animated tripe gets a DVD release??
Hawaii -- 1 Season/8 Episodes/1 Unaired -- Didn't watch. Can't comment (well...could comment, but won't).
Last Comic Standing -- 3 Seasons/34 Episodes -- These stand ups weren't funny and most of them weren't exactly "fresh" either.
Law & Order: Trial By Jury -- 1 Season/13 Episodes/1 Unaired -- It's too bad this one didn't last. Bebe Newirth will find other work, I'm sure.
LAX -- 1 Season/13 Episodes -- See my comments on Hawaii.
Medical Investigation -- 1 Season/20 Episodes -- This got the three episode tryout. Yawn. I don't even remember why I didn't like it.
Revelations -- 1 Season/6 Episodes -- Missed this (only in the "didn't get to view it" mode), but regardless of NBC calling it a "mini-series" had it done well, it would be back. It will be getting a DVD release.
Third Watch -- 6 Seasons/132 Episodes -- This was on for that long? It's like "Wings" or "Coach" for the hour long dramas.
Here are the old shows that are returning:
The West Wing -- Starts 7th Season by moving to Sundays at 8pm. I still won't watch. It's not as funny as the real life version (does anyone else miss "That's My Bush").
Law & Order: Criminal Intent -- 5th Season sees Chris Noth return as he alternates with Vincent D'Onofrio. The best of the series should get some re-energizing with this new format.
Crossing Jordan -- 5th Season -- I vaguely remember watching a few episodes of this in its first season. I think its well on its way to becoming another "Third Watch"
Las Vegas -- 3rd Season -- Have yet to see an episode. My parents like it and its got James Caan...take that for what it's worth.
Medium -- 2nd Season -- TV always feels a bit brighter when there's a Glenn Gordon Carron show on the air. It's been too long.
The Biggest Loser -- 2nd Season -- a reality show to both humiliate and inspire. Wait...aren't they all like that?
The Office -- 2nd Season -- Ugh...why did this get a second season? By the time the last episode of season 1 ended I was praying it wouldn't be back. With "Scrubs" now returning mid-season, I won't be compelled to keep the TV on and wind up watching this misfire.
Law & Order: Special Victims Unit -- 7th Season -- Isn't it time for the leads to leave this show?
Law & Order -- 16th Season -- With that many years and three spin-offs under its belt, is there really any new stories they can tell?
Joey -- 2nd Season -- It's still funnier than the last few seasons of "Friends"...but that isn't saying much. We need to see more of his agent.
Will & Grace -- 8th Season -- The show is still dominated by guest stars and the secondary characters. They may appear in every episode, but Will & Grace became boring oh so long ago. Someone put them out of our misery.
The Apprentice -- 4th Run -- The only reality show I enjoy watching. Not sure why as it lost its novelty after the first run.
ER -- 12th Season -- I still stand by my pick of "Chicago Hope" as the doctor drama to watch 12 years ago. Is there anyone left from the start now?
Dateline -- 14th Season -- It's only on two days a week now (Sunday and Friday) so be thankful for small favors. Yawn. More news...like we don't get enough?
The new shows are:
Fathom -- This sci-fi show (at least that's what I'm gathering) stars Lake Bell (formerly of "Boston Legal") and is about a group of scientists who encounter some new sea creatures. Boy is that vague. It'll get the 3 episode trial from me.
My Name Is Earl -- Jason Lee stars in this sitcom about a man who has a life changing experience after winning the lottery. It's the star that gets this the 3 episode trial from me.
The Apprentice: Martha Stewart -- If you can't tell what it is by the title...isn't it great that we live in a country that treats its convicted criminals the way we do...well...the rich ones at least...I expect by mid-season we'll have a third version "The Apprentice: Enron" all set to go. I'll be passing.
E-Ring -- Dennis Hopper and Benjamin Bratt star in this Jerry Bruckheimer & Taylor Hackford produced show about the goings on inside The Pentagon. It'll be loud and flashy...haven't figured out what I plan on doing yet. It may or may not get the three episode test from me.
Three Wishes -- Because we don't have enough "Reality TV" or Amy Grant, someone decided to put the two together as the musician travels to small towns to grant people wishes. If I ask nicely and wish for crap like this to go away will she come to Stamford?
Inconceivable -- With "ER", "House" and "Gray's Anatomy" doing well it was only a matter of time before we got yet another Medical Drama. This one's set in a fertility clinic. I'll pass.
The Mid Season Replacements are:
Scrubs -- 5th Season -- Why this show got relegated to mid-season is beyond me. Luckily, we're now getting DVD releases of the early seasons to keep us warm and fuzzy.
Fear Factor -- 6th Season -- So that's how many insects and testicles one nation of TV viewers can stomach?
Four Kings -- Seth Green stars in this sitcom from the creators of "Will & Grace" about four lifelong friends who wind up moving in together. That sounds original, doesn't it? The star is what gets it a trial run from me whenever this airs (I'll guess soon after "The Office" finally tanks).
Thick and Thin -- Jessica Capshaw stars in this sitcom about a former fat woman trying to adapt to life as a skinny girl...while she's got a powerhouse supporting cast (Martin MUll, Sharon Gless), this just sounds like a bad idea all over.
The Final Schedule:
Mondays
8pm Fathom
9pm Las Vegas
10pm Medium
Tuesdays
8pm The Biggest Loser
9pm My Name Is Earl
9:30 The Office
10pm Law & Order: Special Victims Unit
Wednesdays
8pm The Apprentice: Martha Stewart
9pm E-Ring
10pm Law & Order
Thursdays
8pm Joey
8:30 Will & Grace
9pm The Apprentice
10pm ER
Fridays
8pm Three Wishes
9pm Dateline
10pm Inconceivable
Saturdays
8pm Movie
Sundays
7pm Dateline
8pm The West Wing
9pm Law & Order: Criminal Intent
10pm Crossing Jordan
Next up ABC.
Be seeing you.
Monday, May 09, 2005
Back With A Vengeance
So...the show I'm directing in Darien opened this weekend. We had about 100 people in the audience over the three shows...but they LOVED it. I have an AMAZING cast that has done an incredible job with this very complex piece. If you're in the area between now and May 21, I highly recommend coming to see Book of Days by Lanford Wilson. Call 655-5414 for tickets.
Okay...with the shameless self-plug out of the way...
Phase One of the house reconstruction project is almost complete. In fact, the granite guys are here as I type putting in the master bathroom countertops. Monday the plumber returns to finish up stuff. Tuesday the tile guys do their final work. Then we just need to paint the room and get the shower door installed.
Meanwhile, Phase Two begins this week...with a new contractor who will be getting his stuff done before anyone arrives in June. At the same time we're repaving and leveling our driveway cause...well...it needs it...that too will be done before anyone arrives.
Have I mentioned that I now cry whenever I watch the Tom Hanks comedy The Money Pit. It's just not funny anymore after having lived through it.
But...there are things that still make me laugh...
Family Guy has returned from the graveyard of cancelled shows because of the successful reruns on Cartoon Network and the DVD sales of the first 3 seasons. Season 4 pretty much picked up where the show had left off over 3 years ago with Peter explaining that the show's been cancelled by FOX to make room for better shows. He then goes on to list these better shows and rattles off the names of every show that FOX has aired and cancelled since Family Guy left the air in February 2002. A great way to usher in new episodes. The show hasn't lost its sense of humor either. The season premiere featured Lois & Peter going on a second honeymoon and leaving "the kids" in the capable hands of Brian and Stewie. Pop culture references abound from Hitchcock films to The Passion of the Christ and all of them are funny. Can't wait to see this week's episode.
But wait...Family Guy isn't just a TV series anymore. They've got their own line of action figures (Death comes with his dog...the next series features Mayor Adam West and The Pope), a book (Stewie's Guide To World Domination) and a CD...Family Guy Live In Las Vegas. While I'd have preferred a CD containing some of the songs from the TV series, this is an amazingly funny substitute. Imagine a Rat Pack show full of fart jokes and F bombs and you'll get a pretty good idea of the material. Unchained from the shackles of Network TV Standards and Practices it's certainly not for kids. There is a clean version available...but why bother...
Done entirely in front of a "live" audience, after a funny intro by TV reporters Tom Tucker & Diane Simmons we get the whole Griffin family singing an extended version of the show's theme song. There's then a duet between Stewie and his babysitter Haylie Duff (Hillary's sister) entitled "Babysitting Is A Bum Deal". Brian then serenades us with "Dear Booze" before Patti LuPone joins Glen Quagmire for "The Q Man Loves Nobody" (yes...it's really Patti LuPone). And then we get the "showstopper" of the album. This song has not only been rattling around my head for over a week because it's so catchy, but it's been rattling around Natasha's head as well...and she's scared it may somehow become the first song Malcolm ever sings (we'll do our best to make sure that doesn't happen). "All Cartoons Are F----- D----" gives each of the family members (except Meg) and guest star Jason Alexander a chance to tell a story about a run in they had with other famous cartoon stars that paints them in a different light (we won't repeat what McGruff the Crime Dog does after 5pm when he's off duty). Brian then gives us "The Last Time I Saw Paris" before Peter & Lois sing a rather romantic yet raunchy duet called "But Then I Met You". Stewie & Brian then treat us to a medley of TV show theme songs (mostly from the 1980s). Chris explains how "Puberty's Gonna Get Me" and then Peter & Lois return for another romantic yet raunchy duet called "But I'm Yours". Brian returns again for a solo called "Slightly Out Of Tune" and then Herbert, the weird old man, sings "One Boy" (giving it the most perverted twist ever). The entire family plus Cleveland, Quagmire and Mayor Adam West finish off with "Quahog Holiday" (another catchy number).
The album's a hoot for the most part (Brian's solos are a bit blah...and Herbert's number is just creepy). There's plenty of "banter" between songs to keep things entertaining. Maybe the next album will be a collection of songs from the show.
Well...that's all for today. We'll be back sooner rather than later as things continue to calm down and settle...before everything changes again on June 19 (give or take a week or two).
Be seeing you.
Okay...with the shameless self-plug out of the way...
Phase One of the house reconstruction project is almost complete. In fact, the granite guys are here as I type putting in the master bathroom countertops. Monday the plumber returns to finish up stuff. Tuesday the tile guys do their final work. Then we just need to paint the room and get the shower door installed.
Meanwhile, Phase Two begins this week...with a new contractor who will be getting his stuff done before anyone arrives in June. At the same time we're repaving and leveling our driveway cause...well...it needs it...that too will be done before anyone arrives.
Have I mentioned that I now cry whenever I watch the Tom Hanks comedy The Money Pit. It's just not funny anymore after having lived through it.
But...there are things that still make me laugh...
Family Guy has returned from the graveyard of cancelled shows because of the successful reruns on Cartoon Network and the DVD sales of the first 3 seasons. Season 4 pretty much picked up where the show had left off over 3 years ago with Peter explaining that the show's been cancelled by FOX to make room for better shows. He then goes on to list these better shows and rattles off the names of every show that FOX has aired and cancelled since Family Guy left the air in February 2002. A great way to usher in new episodes. The show hasn't lost its sense of humor either. The season premiere featured Lois & Peter going on a second honeymoon and leaving "the kids" in the capable hands of Brian and Stewie. Pop culture references abound from Hitchcock films to The Passion of the Christ and all of them are funny. Can't wait to see this week's episode.
But wait...Family Guy isn't just a TV series anymore. They've got their own line of action figures (Death comes with his dog...the next series features Mayor Adam West and The Pope), a book (Stewie's Guide To World Domination) and a CD...Family Guy Live In Las Vegas. While I'd have preferred a CD containing some of the songs from the TV series, this is an amazingly funny substitute. Imagine a Rat Pack show full of fart jokes and F bombs and you'll get a pretty good idea of the material. Unchained from the shackles of Network TV Standards and Practices it's certainly not for kids. There is a clean version available...but why bother...
Done entirely in front of a "live" audience, after a funny intro by TV reporters Tom Tucker & Diane Simmons we get the whole Griffin family singing an extended version of the show's theme song. There's then a duet between Stewie and his babysitter Haylie Duff (Hillary's sister) entitled "Babysitting Is A Bum Deal". Brian then serenades us with "Dear Booze" before Patti LuPone joins Glen Quagmire for "The Q Man Loves Nobody" (yes...it's really Patti LuPone). And then we get the "showstopper" of the album. This song has not only been rattling around my head for over a week because it's so catchy, but it's been rattling around Natasha's head as well...and she's scared it may somehow become the first song Malcolm ever sings (we'll do our best to make sure that doesn't happen). "All Cartoons Are F----- D----" gives each of the family members (except Meg) and guest star Jason Alexander a chance to tell a story about a run in they had with other famous cartoon stars that paints them in a different light (we won't repeat what McGruff the Crime Dog does after 5pm when he's off duty). Brian then gives us "The Last Time I Saw Paris" before Peter & Lois sing a rather romantic yet raunchy duet called "But Then I Met You". Stewie & Brian then treat us to a medley of TV show theme songs (mostly from the 1980s). Chris explains how "Puberty's Gonna Get Me" and then Peter & Lois return for another romantic yet raunchy duet called "But I'm Yours". Brian returns again for a solo called "Slightly Out Of Tune" and then Herbert, the weird old man, sings "One Boy" (giving it the most perverted twist ever). The entire family plus Cleveland, Quagmire and Mayor Adam West finish off with "Quahog Holiday" (another catchy number).
The album's a hoot for the most part (Brian's solos are a bit blah...and Herbert's number is just creepy). There's plenty of "banter" between songs to keep things entertaining. Maybe the next album will be a collection of songs from the show.
Well...that's all for today. We'll be back sooner rather than later as things continue to calm down and settle...before everything changes again on June 19 (give or take a week or two).
Be seeing you.
Sunday, April 24, 2005
Mid-Season Round Up
For those waiting desperately for my Mid Season TV reviews, here they are.
Battlestar Galactica -- While the time between the end of the mini-series and the start of the first run of 13 episodes was interminable due to "cliffhanger" aspects (of which there weren't many), the time between the end of season one and season two's gonna be worse for similar reasons (thankfully new episodes start this summer). This show is everything an adult could want from well written sci-fi. While the 10 year old in me still has a fondness for the cheese of the original series, this reimagining blows that out of the water. There's some real tension this time out as the remains of the human race are actually on a desperate run for survival (where in the original they just kind of lazily wandered from strange planet to strange planet asking "Is this Earth?")
Life on a Stick -- This odd sitcom is pretty funny, but the premise is weird. A slacker lives at home with his remarried parents, his step-sister (mother's daughter), step-brother (the one child of both parents) and works at the mall at a hot dog stand with his dim-witted best friend and hot girlfriend. Plots revolve around odd situations like the episode where the step-sister winds up with the same Nazi-like German teacher her brother did. It's actually pretty funny. Or maybe the level of what makes me laugh has dropped several notches.
Eyes -- I've always liked Tim Daly's work as an actor. This show is no exception. Here he plays Harlan Judd of Judd Risk Management. These are the people you call when your CEO embezzels $100 million. A nice mix of witty repartee and dark espionage this series easily matches the quality of ABC's other new powerhouse dramas (Lost & Desperate Housewives). Can't wait for more episodes.
The Office -- I haven't really seen the BBC original, so I can't comment. This series started off funny, but after having seen 5 episodes it gets less funny and more repetative (we get the point) with each one.
Stacked -- Wow. Pamela Anderson can actually do comedy. This sitcom harkens back to what now seems a bit antiquated -- the one setting "situational" comedy. Set in a bookstore run by a high-minded failed writer (Elon Gold...late of another antiquated sitcom "The In-Laws"), Anderson stars as the new dimwitted employee who tries to give change when a customer uses a credit card. Not classic comedy, but it produces a few laughs. Worth wathing just for Christopher Lloyd's oddball Professor who seems to spend his time in the bookstore like Norm did at Cheers.
Carnival -- This wonderfully weird apocalyptic drama returned for a second season which is mostly sitting on my Tivo with the entire run of Karen Sisco waiting to be watched. Saw the first few episodes and couldn't bring myself to care anymore about the show. What was once interesting now seems boring. They should have gotten to the point sooner. A third season has yet to be ordered, but I'm guess HBO will figure out a way to wrap up any loose ends to appease fans.
Deadwood -- Unlike the above HBO show, this one is one cocksucking, motherfucking piece of shit Western (meaning all of that in the good sense...just trying to describe it the way it's lead characters would) that also has lost a bit of lustre in its second season. But, unlike Carnivale, it still seems to be headed somewhere.
Law & Order: Trial by Jury -- I like Bebe Newirth and I miss Jerry Orbach, but this show is just pushing this franchise ever so closer into "Law & Order: Meter Maids" direction. With four entries here and three "CSI" I don't think there's enough "news" to fake for these shows anymore and it shows on this one. Third time's the charm...fourth time...well...it's just a bit much.
South Park -- Returning for its ninth season and it's starting to also run out of steam. Every other episode is over the top funny (like the season opener "Mr. Garrison's Fancy New Vagina") or poking fun at very timely topics in the usual way ("Best Friends Forever" saw kenny dying again, but being kept on life support as Cartman lobbied congress to remove his feeding tube so he could inherit Kenny's new PSP). But the episodes in between are just wheel spinning (a baseball themed episode was like watching molasses fuck). I expect better from this show every time out.
Jake in Progress -- Having completed its 13 episode run, I feel a bit cheated because the show had the chance to end with some closure (playboy publicist Jake winds up in serious relationship with boss' new secretary) but instead opted for a last second (literally...after end credits rolled) cliffhanger (his ex-wife we've heard so much about returns just before she's supposed to remarry). The rest of the series was actually rather witty with a well crafted cast. Rick Hoffman's Patrick (a David Blaine clone/rival) was the highlight and is Emmy worthy. I'm gonna miss this show as I'm pretty sure it won't be back.
Doctor Who -- This show has returned to the BBC after a very long hiatus (it's been off since 1987 I think) and has become a stellar hit over in the U.K. Unfortunately, who knows when those of us in the colonies will get to see it as it has no place to air yet (supposedly Sci-Fi Channel passed on it). The reviews are good and I can't wait...with any luck it'll at least get a Region 1 DVD release sometime around Christmas. Meanwhile, the day after the show premiered, it was announced that star Christopher Eccleston would no longer be playing the Doctor's Ninth incarnation. For the second season he will be replaced by David Tennant (now playing the 10th Doctor...at this rate, the new series will run out of regenerations for the Doctor faster than the old show got to number 7).
That's all for today. Hope to be back soon.
Battlestar Galactica -- While the time between the end of the mini-series and the start of the first run of 13 episodes was interminable due to "cliffhanger" aspects (of which there weren't many), the time between the end of season one and season two's gonna be worse for similar reasons (thankfully new episodes start this summer). This show is everything an adult could want from well written sci-fi. While the 10 year old in me still has a fondness for the cheese of the original series, this reimagining blows that out of the water. There's some real tension this time out as the remains of the human race are actually on a desperate run for survival (where in the original they just kind of lazily wandered from strange planet to strange planet asking "Is this Earth?")
Life on a Stick -- This odd sitcom is pretty funny, but the premise is weird. A slacker lives at home with his remarried parents, his step-sister (mother's daughter), step-brother (the one child of both parents) and works at the mall at a hot dog stand with his dim-witted best friend and hot girlfriend. Plots revolve around odd situations like the episode where the step-sister winds up with the same Nazi-like German teacher her brother did. It's actually pretty funny. Or maybe the level of what makes me laugh has dropped several notches.
Eyes -- I've always liked Tim Daly's work as an actor. This show is no exception. Here he plays Harlan Judd of Judd Risk Management. These are the people you call when your CEO embezzels $100 million. A nice mix of witty repartee and dark espionage this series easily matches the quality of ABC's other new powerhouse dramas (Lost & Desperate Housewives). Can't wait for more episodes.
The Office -- I haven't really seen the BBC original, so I can't comment. This series started off funny, but after having seen 5 episodes it gets less funny and more repetative (we get the point) with each one.
Stacked -- Wow. Pamela Anderson can actually do comedy. This sitcom harkens back to what now seems a bit antiquated -- the one setting "situational" comedy. Set in a bookstore run by a high-minded failed writer (Elon Gold...late of another antiquated sitcom "The In-Laws"), Anderson stars as the new dimwitted employee who tries to give change when a customer uses a credit card. Not classic comedy, but it produces a few laughs. Worth wathing just for Christopher Lloyd's oddball Professor who seems to spend his time in the bookstore like Norm did at Cheers.
Carnival -- This wonderfully weird apocalyptic drama returned for a second season which is mostly sitting on my Tivo with the entire run of Karen Sisco waiting to be watched. Saw the first few episodes and couldn't bring myself to care anymore about the show. What was once interesting now seems boring. They should have gotten to the point sooner. A third season has yet to be ordered, but I'm guess HBO will figure out a way to wrap up any loose ends to appease fans.
Deadwood -- Unlike the above HBO show, this one is one cocksucking, motherfucking piece of shit Western (meaning all of that in the good sense...just trying to describe it the way it's lead characters would) that also has lost a bit of lustre in its second season. But, unlike Carnivale, it still seems to be headed somewhere.
Law & Order: Trial by Jury -- I like Bebe Newirth and I miss Jerry Orbach, but this show is just pushing this franchise ever so closer into "Law & Order: Meter Maids" direction. With four entries here and three "CSI" I don't think there's enough "news" to fake for these shows anymore and it shows on this one. Third time's the charm...fourth time...well...it's just a bit much.
South Park -- Returning for its ninth season and it's starting to also run out of steam. Every other episode is over the top funny (like the season opener "Mr. Garrison's Fancy New Vagina") or poking fun at very timely topics in the usual way ("Best Friends Forever" saw kenny dying again, but being kept on life support as Cartman lobbied congress to remove his feeding tube so he could inherit Kenny's new PSP). But the episodes in between are just wheel spinning (a baseball themed episode was like watching molasses fuck). I expect better from this show every time out.
Jake in Progress -- Having completed its 13 episode run, I feel a bit cheated because the show had the chance to end with some closure (playboy publicist Jake winds up in serious relationship with boss' new secretary) but instead opted for a last second (literally...after end credits rolled) cliffhanger (his ex-wife we've heard so much about returns just before she's supposed to remarry). The rest of the series was actually rather witty with a well crafted cast. Rick Hoffman's Patrick (a David Blaine clone/rival) was the highlight and is Emmy worthy. I'm gonna miss this show as I'm pretty sure it won't be back.
Doctor Who -- This show has returned to the BBC after a very long hiatus (it's been off since 1987 I think) and has become a stellar hit over in the U.K. Unfortunately, who knows when those of us in the colonies will get to see it as it has no place to air yet (supposedly Sci-Fi Channel passed on it). The reviews are good and I can't wait...with any luck it'll at least get a Region 1 DVD release sometime around Christmas. Meanwhile, the day after the show premiered, it was announced that star Christopher Eccleston would no longer be playing the Doctor's Ninth incarnation. For the second season he will be replaced by David Tennant (now playing the 10th Doctor...at this rate, the new series will run out of regenerations for the Doctor faster than the old show got to number 7).
That's all for today. Hope to be back soon.
Saturday, April 02, 2005
The Broken Rule & Other Stuff
Just a brief bit for today (he says knowing he may get a bit long winded)...
So...up until March 17th, 2005 I had a rule that has essentially never been broken before. If I start wathcing a movie, I must finish it. And with the exception of The Cat in the Hat where the DVD refused to play past a certain part (and I do thank G-d every day for that miraculously defective DVD from Netflix), I have always finished the movie...no matter how bad, boring, crappy or miserable it may be.
I have now officially ditched that rule. And we can all thank The Whole Ten Yards for being the straw that broke this camel's back.
I'm not gonna bother reviewing the 30 minutes I bothered to watch beyond saying this is easily one of the ten most useless things ever put on film (and I'm guessing the recently released Miss Congeniality 2 easily falls on that chart as well). It had no story, no humor and no purpose. So because of that (and perhaps I'm getting pickier as I get older and don't want to waste my time with things I'm not going to care much about), I have tossed this rule out the window. If I start watching a film and can't get through the first 30 minutes without wanting to gouge my eyes out with a knife, I will turn it off (or erase it from the TiVo or send it back to Netflix or use my new invention that will collectively erase the offending images from the memory of the human race).
I was going to write something on some recent events in the news, but quite frankly this week's episode of South Park did better justice to my opinion on the topic than I ever could here. That's kind of a sad statement in a number of ways, but I'll live with it. May Terri Schiavo finally rest in peace.
Also wanted to give you folks a quick update on a few things...
Update on the house:
Our Kitchen is now about 97% complete. It needs some paint, a backsplash and a few minor electrical tweaks and cosmetic bumps smoothed out...but it should be done by week's end. I hope to have at least a few photos up on our website within the next week (it's been crazy as usual).
Our master bathroom is a nice room we're currently using for storage. The room's sheetrocked, but the tub needs to be stabilized, we need countertops and the whole place needs to be tiled where we're putting tile (all the tile is here at least). The tile guys have been coming tomorrow for about two weeks now, but I've been assured once they do arrive it'll take about a week to finish everything up.
Our contractor was nice enough to send a cleaning crew on a Saturday to dust the whole house after four days of sanding and staining hardwood floors though. So he gets a few good points (though they don't make up for all the bad points which I'll detail at some later date).
Info on various shows:
Tash is part of the chorus in a wonderful production of Gilbert & Sullivan's The Sorcerer. It opened last night at New Canaan High School and was a lot of fun (except for the 25 minute "second intermission" due to a fire alarm). It has four more performances on April 2, 3, 8 & 9. Check out http://trouperslightopera.org for more info.
I'm also going to plug three shows featuring people we know either on stage or back stage...
The Pound Ridge Theater Company has Tale of the Allergist's Wife running now. Check out their website for more info.
Curtain Call in Stamford has The Wizard of Oz running through April. Here's their website for more info.
And lastly, Westport Community Theater has The Foreigner running for the next few weekends. Check out their website for more info.
And lastly lastly...don't forget I'm directing Book of Days which opens at the Darien Arts Center on May 6. More info will follow as we get closer.
Finally, lastly for today...sometime in the next week or two I will be reviewing the comic book adaptation of Star Wars Episode III: Revenge of the Sith. Why am I doing this you may ask? Well...with everything that's going on (mostly due to Malcolm's arrival), I have no clue when I'll actually see the finished film...and quite frankly, I stopped caring a good long while ago. I have no faith in George Lucas' story telling abilities anymore and I'm convinced that the "prequels" have pretty much drained the energy from the "sequels" at this point (so one of the most complex villains to ever grace a story had his origins as a whiny spoiled brat?? at least we know where his son gets it from in Episode IV). So I'd rather read a comic book which is adapted by writers & artists other than Lucas, than see his version right now (which will probably change in a few years when he redoes them all in 3D and decides that it's really Jar Jar who should become Darth Vader).
Anyway...there'll be plenty of spoiler warnings as I go along...but it will most likely be the last I ever have to say on the subject of Star Wars until I start auctioning off my childhood on eBay this summer as I get rid of a lot of old toys that I don't want my son to even know about. They've been tainted for me...I'm not sure I want him playing with them. He can have all my old DC Heroes when he's older (assuming that by the end of this year DC hasn't raped and murdered every B list character they have...but that's a whole other ball of wax for another time).
Be seeing you.
So...up until March 17th, 2005 I had a rule that has essentially never been broken before. If I start wathcing a movie, I must finish it. And with the exception of The Cat in the Hat where the DVD refused to play past a certain part (and I do thank G-d every day for that miraculously defective DVD from Netflix), I have always finished the movie...no matter how bad, boring, crappy or miserable it may be.
I have now officially ditched that rule. And we can all thank The Whole Ten Yards for being the straw that broke this camel's back.
I'm not gonna bother reviewing the 30 minutes I bothered to watch beyond saying this is easily one of the ten most useless things ever put on film (and I'm guessing the recently released Miss Congeniality 2 easily falls on that chart as well). It had no story, no humor and no purpose. So because of that (and perhaps I'm getting pickier as I get older and don't want to waste my time with things I'm not going to care much about), I have tossed this rule out the window. If I start watching a film and can't get through the first 30 minutes without wanting to gouge my eyes out with a knife, I will turn it off (or erase it from the TiVo or send it back to Netflix or use my new invention that will collectively erase the offending images from the memory of the human race).
I was going to write something on some recent events in the news, but quite frankly this week's episode of South Park did better justice to my opinion on the topic than I ever could here. That's kind of a sad statement in a number of ways, but I'll live with it. May Terri Schiavo finally rest in peace.
Also wanted to give you folks a quick update on a few things...
Update on the house:
Our Kitchen is now about 97% complete. It needs some paint, a backsplash and a few minor electrical tweaks and cosmetic bumps smoothed out...but it should be done by week's end. I hope to have at least a few photos up on our website within the next week (it's been crazy as usual).
Our master bathroom is a nice room we're currently using for storage. The room's sheetrocked, but the tub needs to be stabilized, we need countertops and the whole place needs to be tiled where we're putting tile (all the tile is here at least). The tile guys have been coming tomorrow for about two weeks now, but I've been assured once they do arrive it'll take about a week to finish everything up.
Our contractor was nice enough to send a cleaning crew on a Saturday to dust the whole house after four days of sanding and staining hardwood floors though. So he gets a few good points (though they don't make up for all the bad points which I'll detail at some later date).
Info on various shows:
Tash is part of the chorus in a wonderful production of Gilbert & Sullivan's The Sorcerer. It opened last night at New Canaan High School and was a lot of fun (except for the 25 minute "second intermission" due to a fire alarm). It has four more performances on April 2, 3, 8 & 9. Check out http://trouperslightopera.org for more info.
I'm also going to plug three shows featuring people we know either on stage or back stage...
The Pound Ridge Theater Company has Tale of the Allergist's Wife running now. Check out their website for more info.
Curtain Call in Stamford has The Wizard of Oz running through April. Here's their website for more info.
And lastly, Westport Community Theater has The Foreigner running for the next few weekends. Check out their website for more info.
And lastly lastly...don't forget I'm directing Book of Days which opens at the Darien Arts Center on May 6. More info will follow as we get closer.
Finally, lastly for today...sometime in the next week or two I will be reviewing the comic book adaptation of Star Wars Episode III: Revenge of the Sith. Why am I doing this you may ask? Well...with everything that's going on (mostly due to Malcolm's arrival), I have no clue when I'll actually see the finished film...and quite frankly, I stopped caring a good long while ago. I have no faith in George Lucas' story telling abilities anymore and I'm convinced that the "prequels" have pretty much drained the energy from the "sequels" at this point (so one of the most complex villains to ever grace a story had his origins as a whiny spoiled brat?? at least we know where his son gets it from in Episode IV). So I'd rather read a comic book which is adapted by writers & artists other than Lucas, than see his version right now (which will probably change in a few years when he redoes them all in 3D and decides that it's really Jar Jar who should become Darth Vader).
Anyway...there'll be plenty of spoiler warnings as I go along...but it will most likely be the last I ever have to say on the subject of Star Wars until I start auctioning off my childhood on eBay this summer as I get rid of a lot of old toys that I don't want my son to even know about. They've been tainted for me...I'm not sure I want him playing with them. He can have all my old DC Heroes when he's older (assuming that by the end of this year DC hasn't raped and murdered every B list character they have...but that's a whole other ball of wax for another time).
Be seeing you.
Wednesday, March 23, 2005
Let's Not Go There, It's A Silly Place
While things get off to an expected silly start in Monty Python's Spamalot, I was still waiting to pee my pants by the end of Act One. This new Broadway musical (based on the very funny film Monty Python and the Holy Grail) which has just opened and is supposedly sold out through October is landing like a big giant Trojan Rabbit...it's all big and showy, but there isn't much on the inside except some stale air. Between trying to ignore audience members speaking along with the show as if it were Rocky Horror and trying to stretch your legs in the extremely cramped seats, it was hard to enjoy a show that I was admittedly expecting too much from.
Things do get off to a rollicking start (and I'm warning you now, there are plenty of spoilers below) as the voice of Eric Idle tells us to let our cell phones and pagers ring all we like, but to remember there are knights on stage carrying deadly weapons. An historian then comes on stage to set the scene in England's Middle Ages. The first number arrives right after this as some cast members have obviously confused England with Finland and they present us with "Fisch Schlapping Song". And anyone who knows Python will know this bit. Once the historian corrects matters, we get to meet King Arthur (Tim Curry) and his servant Patsy (Michael McGrath) as they come clopping across the stage with their requisite coconuts in place of live horses. At the Mud Castle we get "King Arthur's Song" (which is pompous in it's announcement of "I'm Arthur! King of the Britons!", yet I'm still humming it) and we get the whole discussion of the air speed velocity of swallows before we change locations.
At the Plague Village, we meet the man in the film known as The Dead Collector, but here, even though he's dressed the same, he's actually Sir Robin (David Hyde Pierce). And we not only get the requisite "Bring Out Your Dead" bit from the film, but we also meet Sir Lancelot (Hank Azaria) who is bringing out his dead friend known as Not Dead Fred to join in with all the plague victims in "I Am Not Yet Dead", a funny...but unmemorable song. Both Robin and Lancelot then run off to join Arthur's Merry Men.
Arthur continues his quest for men to join him as he comes across Dennis Galahad (Christopher Seiber) and his mother. Once the scene from the film is out of the way, we meet the first true new character for the stage in The Lady of the Lake (Sara Ramirez). She rises from the stage with her "Laker Girls" for the unmemorable number entitled "Come With Me" in which she tries to convince Galahad that she's not just some "watery tart"...but luckily this is quickly followed up by what is not only the funniest song in the show, but what could be the funniest song in any show EVER!
"The Song That Goes Like This" is the typical romantic ballad that tends to drop smack in the middle of any Broadway musical...except this one knows what it is. Ramirez and Seiber poke fun at every lyrical convention that has propped up every mediocre musical of the last three decades. From odd key changes to the song going on forever, these lyrics (as well as the fog enshrouded boat and dangling chandelier that come with it) are worth the price of admission. Of course, the song doesn't actually add anything to what little plot there is.
Sir Bedevere (Steve Rosen) gets short shrift and barely an intro before the five knights launch into "All For One" which just seems to be nonsensical repetition in addition to being the motto of "The Three Musketeers". Luckily, we then arrive at Camelot and get a big budget, over blown version of the song from the film (which is where the show's title comes from as the knights of Camelot "eat ham and jam and spamalot"). Luckily, this bit is as funny as it's ever been and keeps the show's energy up.
Then we get to see the feet of G-d as he (John Cleese's voice) tells them to seek the Holy Grail. The Lady of the Lake then inspires the group with "Find Your Grail" which may be as close to a message as this show may ever get (we apparently each have our own that we seek...metaphorically speaking). Act One ends with the Knights running away from the French Castle after that whole scene (including catapulted cow) gets re-enacted onstage.
Act Two opens in a very expensive forest (we're told this both in the program and by the historian) and the knights are all separated on their own quests for the Grail. After meeting the Knights of Ni, Patsy cheers Arthur up with "Always Look on the Bright Side of Life"...stolen from Monty Python's Life of Brian. Luckily, it's well done.
"Brave Sir Robin" (yes, we get that song from the original film as well...and it's still funny) gets scared off by the Black Knight and then Arthur meets up with said knight and dispatches him in the same way as he does in the film (I won't spoil how they cut off all his limbs, but it is rather clever and uses a great, but cheap joke as misdirection). After wanting a shrubbery, the Knights of Ni want Arthur to put on a Broadway musical, but Robin has to explain why "You Won't Succeed on Broadway" which is easily the second best song of the show. Apparently you absolutely must have a Jew...and then they re-enact the bottle dance from Fiddler on the Roof using Grails instead of bottles.
Immediately after this, the Lady of the Lake storms on stage for "The Diva's Lament" in which she complains of having nothing to do so far in Act Two and its almost over. The show then moves right into the whole Swamp Castle set piece from the film in which Lancelot rescues Prince Herbert from his father. Prince Herbert is still more interested in singing than marrying a princess and he gets two songs "Where Are You" in which he pines to be rescued and "Here Are You" after Lancelot rescues him. We're then subjected to the answer of Lancelot's sexuality (which I didn't realize was a question) in "His Name is Lancelot"...a number that looks like it was written to parody The Boy From Oz but since that show's gone it just wasn't as timely.
The scene returns to Arthur who sings "I'm All Alone" with his faithful servant Patsy at his side (it's a one note joke that goes on a bit long for a song...we get it, he's not really alone). Then the Lady of the Lake appears for a reprise of "The Song That Goes Like This" with Arthur so they can kiss. The knights then regroup and encounter Tim the Enchanter and the Killer Rabbit before actually finding the Grail (BIG SPOILER....if you can purchase your tickets to include seat A101). And then, since this IS a musical-comedy, the show ends with a wedding (or two if you count Lancelot and Herbert) and a medley of most of the previous songs before curtain calls and an audience sing-a-long version of "Always Look on the Bright Side of Life".
Monty Python's Spamalot is a fun show, don't get me wrong, but it's also a very fluffy show. It's all style, no substance. What was cutting edge comedy in the mid 70s seems quaint and stale. Almost the entire film is represented on stage in odd ways and the stuff that is missing will leave you asking why its missing. The cast is having fun doing the show and the audience is enjoying watching it...and yet there should have been more.
If you're looking for hysterically funny musical comedy current running on Broadway I'd say check out Avenue Q and Dirty Rotten Scoundrels before trying to hunt down tickets for this.
That's all for today. Sorry to disappoint.
Be seeing you.
Things do get off to a rollicking start (and I'm warning you now, there are plenty of spoilers below) as the voice of Eric Idle tells us to let our cell phones and pagers ring all we like, but to remember there are knights on stage carrying deadly weapons. An historian then comes on stage to set the scene in England's Middle Ages. The first number arrives right after this as some cast members have obviously confused England with Finland and they present us with "Fisch Schlapping Song". And anyone who knows Python will know this bit. Once the historian corrects matters, we get to meet King Arthur (Tim Curry) and his servant Patsy (Michael McGrath) as they come clopping across the stage with their requisite coconuts in place of live horses. At the Mud Castle we get "King Arthur's Song" (which is pompous in it's announcement of "I'm Arthur! King of the Britons!", yet I'm still humming it) and we get the whole discussion of the air speed velocity of swallows before we change locations.
At the Plague Village, we meet the man in the film known as The Dead Collector, but here, even though he's dressed the same, he's actually Sir Robin (David Hyde Pierce). And we not only get the requisite "Bring Out Your Dead" bit from the film, but we also meet Sir Lancelot (Hank Azaria) who is bringing out his dead friend known as Not Dead Fred to join in with all the plague victims in "I Am Not Yet Dead", a funny...but unmemorable song. Both Robin and Lancelot then run off to join Arthur's Merry Men.
Arthur continues his quest for men to join him as he comes across Dennis Galahad (Christopher Seiber) and his mother. Once the scene from the film is out of the way, we meet the first true new character for the stage in The Lady of the Lake (Sara Ramirez). She rises from the stage with her "Laker Girls" for the unmemorable number entitled "Come With Me" in which she tries to convince Galahad that she's not just some "watery tart"...but luckily this is quickly followed up by what is not only the funniest song in the show, but what could be the funniest song in any show EVER!
"The Song That Goes Like This" is the typical romantic ballad that tends to drop smack in the middle of any Broadway musical...except this one knows what it is. Ramirez and Seiber poke fun at every lyrical convention that has propped up every mediocre musical of the last three decades. From odd key changes to the song going on forever, these lyrics (as well as the fog enshrouded boat and dangling chandelier that come with it) are worth the price of admission. Of course, the song doesn't actually add anything to what little plot there is.
Sir Bedevere (Steve Rosen) gets short shrift and barely an intro before the five knights launch into "All For One" which just seems to be nonsensical repetition in addition to being the motto of "The Three Musketeers". Luckily, we then arrive at Camelot and get a big budget, over blown version of the song from the film (which is where the show's title comes from as the knights of Camelot "eat ham and jam and spamalot"). Luckily, this bit is as funny as it's ever been and keeps the show's energy up.
Then we get to see the feet of G-d as he (John Cleese's voice) tells them to seek the Holy Grail. The Lady of the Lake then inspires the group with "Find Your Grail" which may be as close to a message as this show may ever get (we apparently each have our own that we seek...metaphorically speaking). Act One ends with the Knights running away from the French Castle after that whole scene (including catapulted cow) gets re-enacted onstage.
Act Two opens in a very expensive forest (we're told this both in the program and by the historian) and the knights are all separated on their own quests for the Grail. After meeting the Knights of Ni, Patsy cheers Arthur up with "Always Look on the Bright Side of Life"...stolen from Monty Python's Life of Brian. Luckily, it's well done.
"Brave Sir Robin" (yes, we get that song from the original film as well...and it's still funny) gets scared off by the Black Knight and then Arthur meets up with said knight and dispatches him in the same way as he does in the film (I won't spoil how they cut off all his limbs, but it is rather clever and uses a great, but cheap joke as misdirection). After wanting a shrubbery, the Knights of Ni want Arthur to put on a Broadway musical, but Robin has to explain why "You Won't Succeed on Broadway" which is easily the second best song of the show. Apparently you absolutely must have a Jew...and then they re-enact the bottle dance from Fiddler on the Roof using Grails instead of bottles.
Immediately after this, the Lady of the Lake storms on stage for "The Diva's Lament" in which she complains of having nothing to do so far in Act Two and its almost over. The show then moves right into the whole Swamp Castle set piece from the film in which Lancelot rescues Prince Herbert from his father. Prince Herbert is still more interested in singing than marrying a princess and he gets two songs "Where Are You" in which he pines to be rescued and "Here Are You" after Lancelot rescues him. We're then subjected to the answer of Lancelot's sexuality (which I didn't realize was a question) in "His Name is Lancelot"...a number that looks like it was written to parody The Boy From Oz but since that show's gone it just wasn't as timely.
The scene returns to Arthur who sings "I'm All Alone" with his faithful servant Patsy at his side (it's a one note joke that goes on a bit long for a song...we get it, he's not really alone). Then the Lady of the Lake appears for a reprise of "The Song That Goes Like This" with Arthur so they can kiss. The knights then regroup and encounter Tim the Enchanter and the Killer Rabbit before actually finding the Grail (BIG SPOILER....if you can purchase your tickets to include seat A101). And then, since this IS a musical-comedy, the show ends with a wedding (or two if you count Lancelot and Herbert) and a medley of most of the previous songs before curtain calls and an audience sing-a-long version of "Always Look on the Bright Side of Life".
Monty Python's Spamalot is a fun show, don't get me wrong, but it's also a very fluffy show. It's all style, no substance. What was cutting edge comedy in the mid 70s seems quaint and stale. Almost the entire film is represented on stage in odd ways and the stuff that is missing will leave you asking why its missing. The cast is having fun doing the show and the audience is enjoying watching it...and yet there should have been more.
If you're looking for hysterically funny musical comedy current running on Broadway I'd say check out Avenue Q and Dirty Rotten Scoundrels before trying to hunt down tickets for this.
That's all for today. Sorry to disappoint.
Be seeing you.
Thursday, March 17, 2005
A Night At The Opera
So I married an opera lover...
One would think that with my love of musical theater it would just be a step across the line to the enjoyment of opera. However, one would be wrong...mostly...
I had never actually been to an opera before Tash took me to see a friend of ours in some obscure piece by Mozart (or was it Beethoven...I forget the title...It was The Rape (or Adbuction) of Someone (or Something) I think). Anyway...it was interesting, but not something that I was dying to see again (at least not that piece).
But since I love my wife more than anything, how could I deny her tickets to 5th row center at the Metropolitan Opera when they came our way? I couldn't, so I didn't. At least this time it would be a story I knew well enough to follow and get excited about.
Samson Et Delila is a French opera based on the Biblical story of Samson and Delila by Camille Saint-Saens. If one didn't know the story going in and didn't speak French, you'd be rather confused...which I was anyway, in spite of the neat screens on the back of the chair in front that gave English titles for the lyrics.
I really didn't know what to expect going into this. All my knowledge of opera has come from movies where its presented as this larger than life spectacle with clowns and animals (not all of them obviously, but you get the idea). While clowns have no place in the Bible (you may make your own joke now), animals are abundant. So I thought maybe we'd get to see something grand. We didn't...we got to see something weird.
When the curtain went up we were presented with a scrim that looked like pages torn from a book written in Hebrew and strewn about. as the lights came up and you could see through the scrim, we got to meet the chorus playing the Isrealites. I immediately thought these folks were a few blocks too far north as they looked like that had wandered in from Fiddler on the Roof. These Jews weren't dressed like they were wandering around the desert as slaves for years, these folks looked like they were waiting for Yenta the Matchmaker to lead them out of Annatevka.
Okay...so I can live with this. It's like watching Shakespeare done in modern times or something like that. And then we meet the Philistines and I have the same reaction. Except these guys walked off the stage of The Lion King. Men in skimpy loin cloths (I see less butt crack here at the house when the plumers are working), painted red and having long fingers parading around and corraling the Russian Jews was indeed a very odd sight. And yet it got weirder.
We then get to meet Delila as she comes out from the corn field??? A neat trick of perspective views, this was yet another oddity in what was to be a long (over 3 hours) night of them. Okay. They weren't corn fields, but the "plants" growing slightly out of the upstage area (which raked back down and gave something of a diminishing horizon look) looked really out of place. But then again, so did the casts of two Broadway musicals that had hijaked the opera singers.
Act Two is set outside Delila's home and Act Three is set in the Philistine Temple. Both sets looked like they were leftovers from the Star Trek episode "Amok Time". By the time Act Two started, I had pretty much given up on trying to appreciate this bizarre and minimalist opera and decided to concentrate on following the story.
Unfortunately, I don't think it's easy to follow whether you know the Biblical version, love opera or speak French. Sure, we know that Samson's secret is his hair...but no one seems to mention that, so it's kind of odd when Delila finally cuts it off at the end of Act Two. There's also the strangeness that bridges the first two acts. Samson leaves his people to be with Delila at the end of Act One, but at the start of Act Two she's bitching about how he has yet to show up and she's gonna get her revenge on him (or something to that effect).
There were a few things I did enjoy about this experience (aside from being with my wife and seeing some friends)...the singing was AMAZING! And while the weirdness of the actual production was not what I was expecting, I did find it all to be interesting choices.
Tash has told me that we won't be seeing another opera until we get the chance for a good production of The Magic Flute. At the rate we're going, it may be around Malcolm's bar mitzvah.
Next week...we get to see my kind of show...Spamalot.
Until then...be seeing you.
One would think that with my love of musical theater it would just be a step across the line to the enjoyment of opera. However, one would be wrong...mostly...
I had never actually been to an opera before Tash took me to see a friend of ours in some obscure piece by Mozart (or was it Beethoven...I forget the title...It was The Rape (or Adbuction) of Someone (or Something) I think). Anyway...it was interesting, but not something that I was dying to see again (at least not that piece).
But since I love my wife more than anything, how could I deny her tickets to 5th row center at the Metropolitan Opera when they came our way? I couldn't, so I didn't. At least this time it would be a story I knew well enough to follow and get excited about.
Samson Et Delila is a French opera based on the Biblical story of Samson and Delila by Camille Saint-Saens. If one didn't know the story going in and didn't speak French, you'd be rather confused...which I was anyway, in spite of the neat screens on the back of the chair in front that gave English titles for the lyrics.
I really didn't know what to expect going into this. All my knowledge of opera has come from movies where its presented as this larger than life spectacle with clowns and animals (not all of them obviously, but you get the idea). While clowns have no place in the Bible (you may make your own joke now), animals are abundant. So I thought maybe we'd get to see something grand. We didn't...we got to see something weird.
When the curtain went up we were presented with a scrim that looked like pages torn from a book written in Hebrew and strewn about. as the lights came up and you could see through the scrim, we got to meet the chorus playing the Isrealites. I immediately thought these folks were a few blocks too far north as they looked like that had wandered in from Fiddler on the Roof. These Jews weren't dressed like they were wandering around the desert as slaves for years, these folks looked like they were waiting for Yenta the Matchmaker to lead them out of Annatevka.
Okay...so I can live with this. It's like watching Shakespeare done in modern times or something like that. And then we meet the Philistines and I have the same reaction. Except these guys walked off the stage of The Lion King. Men in skimpy loin cloths (I see less butt crack here at the house when the plumers are working), painted red and having long fingers parading around and corraling the Russian Jews was indeed a very odd sight. And yet it got weirder.
We then get to meet Delila as she comes out from the corn field??? A neat trick of perspective views, this was yet another oddity in what was to be a long (over 3 hours) night of them. Okay. They weren't corn fields, but the "plants" growing slightly out of the upstage area (which raked back down and gave something of a diminishing horizon look) looked really out of place. But then again, so did the casts of two Broadway musicals that had hijaked the opera singers.
Act Two is set outside Delila's home and Act Three is set in the Philistine Temple. Both sets looked like they were leftovers from the Star Trek episode "Amok Time". By the time Act Two started, I had pretty much given up on trying to appreciate this bizarre and minimalist opera and decided to concentrate on following the story.
Unfortunately, I don't think it's easy to follow whether you know the Biblical version, love opera or speak French. Sure, we know that Samson's secret is his hair...but no one seems to mention that, so it's kind of odd when Delila finally cuts it off at the end of Act Two. There's also the strangeness that bridges the first two acts. Samson leaves his people to be with Delila at the end of Act One, but at the start of Act Two she's bitching about how he has yet to show up and she's gonna get her revenge on him (or something to that effect).
There were a few things I did enjoy about this experience (aside from being with my wife and seeing some friends)...the singing was AMAZING! And while the weirdness of the actual production was not what I was expecting, I did find it all to be interesting choices.
Tash has told me that we won't be seeing another opera until we get the chance for a good production of The Magic Flute. At the rate we're going, it may be around Malcolm's bar mitzvah.
Next week...we get to see my kind of show...Spamalot.
Until then...be seeing you.
Sunday, March 06, 2005
A Dirty Rotten Wonderful Show
These days, it seems that looking at the Broadway theater listings is like browsing the CD and DVD ailes at Tower Records. The musicals are all either compliations of songs from a famous artist or group that are linked together by the thinnest plot or musical makeovers of old movies.
The new musical Dirty Rotten Scoundrels falls into the latter category and while it's an odd choice to make a musical of, the finished product works very well in most aspects. (And as an aside, I'd like to point out it's actually a musical based on a movie that was a remake of another movie called Bedtime Story)
If you don't know the film, the story revolves around two con men. Lawrence Jameson (here played by John lithgow...it was Michael Caine in the film, David Niven in the original film) is an older kinder con man who is living off the money he takes from women passing through his current home town of Beaumont Sur Mer on the French Riviera. Into town rolls Freddie Benson (Norbert Leo Butz here, Steve Martin in the film, Marlon Brando in the original film), a younger and more crass con man who winds up asking to be taught the big game by a master. After a few adventures together, the two men wind up making a bet over who can take a young woman (here its Sherie Renee Scott, in the 1988 film it was Glenn Headley and in the 1964 film it was Shirley Jones) for $50,000 first; loser leaves town. It's an odd plot for a musical, especially one that seems to be very aware of itself being a theatrical piece. But it all seems to work rather well.
The show starts off with Jameson and his partner in crime Police Chief Andre (Gregory Jbara) singing about how a con artist should always "Give Them What They Want". It's a great mood setter. Next, we hear from one of Jameson's marks as Muriel Eubanks (played by the wonderfully underused Joanna Gleason...and it was Fanny in the movie...changed for some odd reason...as I think Fanny's funnier) sings about "What Was A Woman To Do?". She is eventually joined by more of Jameson's marks (including one of the usherettes in the audience...in the first of many broken fourth wall bits) as the number progresses.
When Freddy rolls into Jameson's house and admires the "Great Big Stuff" we get a cool, slick, hip-hop-ish showstopper that should surely get a Tony Nomination (if not win) for Butz. Andre sings about Freddy just being a "Chimp In A Suit" as Jameson starts to educate Freddy in the finer art of class. Freddy's first lesson involves watching Jameson woo a young Oklahoman oil heiress named Jolene Oakes (Sara Gettelfinger...in the film she's just a lady from Okalahoma). Things go wrong when she mistakes Jameson's advances for a marriage proposal (and inspiring a great joke from Freddy as he sits in the audience watching and asks if he missed a scene). When Jolene gives us the second showstopper "Oklahoma?" (about how Jameson's gonna love it there), Jameson must figure out a way to get her to fall out of love with him. Freddy helps and becomes his idiot brother for a third showstopper called "All About Ruprecht".
After a brief reprise of "What Was A Woman To Do" from Muriel when she runs into Andre, we finally get the set up of the bet between Freddy and Lawrence as Christine Colgate, the American Soap Queen (in the movie it was Janet in another example of why did they change that name) arrives in town with "Here I Am".
Freddy pretends he's a wounded war veteran in a wheelchair to gain her symapthies in order to woo her. She falls for his advances and chicanery noting that "Nothing Is Too Wonderful To Be True", a number that starts off a bit jarringly as it seems out of place with the rest of the show's over-the-top comedy. Luckily, once Freddy starts singing the number quickly falls in line with the rest of what's come before it.
Act One ends with Jameson showing up, much to Freddie's surprise, as the German psychiatrist who is the only person who can cure him (which Freddie concocted as part of his story).
Act Two picks up just before the end of Act One (in another of those odd, yet funny moments of breaking the fourth wall). Posing as Dr. Emil Shuffhausen II, Jameson "exmaines" Sgt. Buzz Benson's legs in an attempt to foil Freddie's plan and reveal him for who he is ("Ruffhousin With Shuffhausen"). Meanwhile, in an attempt to fluff out the plot of a 90 minute movie into a 2 and one half hour musical (as well as beef up Ms. Gleason's role...something the character even mentions in Act One), Andre and Muriel start to fall in love ("Like Zis/Like Zat").
Dr. Shuffhausen convinces Chrstine that the only way to cure Buzz's problem is to tackle his psychosis, so "The More We Dance" the more he'll want to get out of his wheelchair. Freddie doesn't fall for it and does his best to keep up with Jameson's tricks. He eventually comes back to Christine's hotel room to exclaim that "Love Is In My Legs" (one of the funniest romantic ballad spoofs ever to hit Broadway), but Jameson intervenes again.
He sends Christine away before Freddie can win the bet (which changes from extracting money to getting her in bed at some point in Act Two when Jameson discovers she isn't rich). At the train station, Jameson realizes he's falling for her ("Love Sneaks In" -- the only bland song in the bunch as it's a real ballad that isn't funny and brings everything to a halt). The subplot of Andre and Muriel gets a brief reprise of "Like Zis/Like Zat" before Christine returns to Freddie in order to inadvertantly give him the win on the bet with "Son Of Great Big Stuff". But being a story about con artists, there's one last twist that I won't reveal before our con men sing of "The Reckoning" and finally make friends again in "Dirty Rotten Number".
The most important part of a musical is the songs and I've still got almost all of them rattling around my head 24 hours later. The acting is all top notch with potential Tony nominees in both Butz and Jbara. The one weak spot is, as I've already stated, the under use of Joanna Gleason. The lighting and sets are really kind of funky and cool. The entire show has what I'd refer to as "grand minimalist" as a turntable off center within a second turntable, some art deco palm trees, a staircase, a balcony, a set of doors and a few other minor set pieces keep getting reconfigured to make each setting.
The show's biggest obstacle is unfortunately the window it's opening it. It's living in the long shadow of that other con man musical based on a movie, The Producers (now starring Richard Kind and Alan Ruck, which may make it worth seeing again). The comparisons are both inevitable and unfortunate as I found this show funnier (don't get me wrong, I still loved The Producers). It has also opened two weeks ahead of Monty Python's Spamalot (which we'll be seeing a few days after it opens...so look for a review soon) and that show's coming in like the juggernaut The Producers was when it opened. Unfortunately, Dirty Rotten Scoundrels may get lost in the shuffle. Hopefully it won't as I want...no need...a cast album...if only to learn the lyrics to "Great Big Stuff".
That's all for today.
Be seeing you.
The new musical Dirty Rotten Scoundrels falls into the latter category and while it's an odd choice to make a musical of, the finished product works very well in most aspects. (And as an aside, I'd like to point out it's actually a musical based on a movie that was a remake of another movie called Bedtime Story)
If you don't know the film, the story revolves around two con men. Lawrence Jameson (here played by John lithgow...it was Michael Caine in the film, David Niven in the original film) is an older kinder con man who is living off the money he takes from women passing through his current home town of Beaumont Sur Mer on the French Riviera. Into town rolls Freddie Benson (Norbert Leo Butz here, Steve Martin in the film, Marlon Brando in the original film), a younger and more crass con man who winds up asking to be taught the big game by a master. After a few adventures together, the two men wind up making a bet over who can take a young woman (here its Sherie Renee Scott, in the 1988 film it was Glenn Headley and in the 1964 film it was Shirley Jones) for $50,000 first; loser leaves town. It's an odd plot for a musical, especially one that seems to be very aware of itself being a theatrical piece. But it all seems to work rather well.
The show starts off with Jameson and his partner in crime Police Chief Andre (Gregory Jbara) singing about how a con artist should always "Give Them What They Want". It's a great mood setter. Next, we hear from one of Jameson's marks as Muriel Eubanks (played by the wonderfully underused Joanna Gleason...and it was Fanny in the movie...changed for some odd reason...as I think Fanny's funnier) sings about "What Was A Woman To Do?". She is eventually joined by more of Jameson's marks (including one of the usherettes in the audience...in the first of many broken fourth wall bits) as the number progresses.
When Freddy rolls into Jameson's house and admires the "Great Big Stuff" we get a cool, slick, hip-hop-ish showstopper that should surely get a Tony Nomination (if not win) for Butz. Andre sings about Freddy just being a "Chimp In A Suit" as Jameson starts to educate Freddy in the finer art of class. Freddy's first lesson involves watching Jameson woo a young Oklahoman oil heiress named Jolene Oakes (Sara Gettelfinger...in the film she's just a lady from Okalahoma). Things go wrong when she mistakes Jameson's advances for a marriage proposal (and inspiring a great joke from Freddy as he sits in the audience watching and asks if he missed a scene). When Jolene gives us the second showstopper "Oklahoma?" (about how Jameson's gonna love it there), Jameson must figure out a way to get her to fall out of love with him. Freddy helps and becomes his idiot brother for a third showstopper called "All About Ruprecht".
After a brief reprise of "What Was A Woman To Do" from Muriel when she runs into Andre, we finally get the set up of the bet between Freddy and Lawrence as Christine Colgate, the American Soap Queen (in the movie it was Janet in another example of why did they change that name) arrives in town with "Here I Am".
Freddy pretends he's a wounded war veteran in a wheelchair to gain her symapthies in order to woo her. She falls for his advances and chicanery noting that "Nothing Is Too Wonderful To Be True", a number that starts off a bit jarringly as it seems out of place with the rest of the show's over-the-top comedy. Luckily, once Freddy starts singing the number quickly falls in line with the rest of what's come before it.
Act One ends with Jameson showing up, much to Freddie's surprise, as the German psychiatrist who is the only person who can cure him (which Freddie concocted as part of his story).
Act Two picks up just before the end of Act One (in another of those odd, yet funny moments of breaking the fourth wall). Posing as Dr. Emil Shuffhausen II, Jameson "exmaines" Sgt. Buzz Benson's legs in an attempt to foil Freddie's plan and reveal him for who he is ("Ruffhousin With Shuffhausen"). Meanwhile, in an attempt to fluff out the plot of a 90 minute movie into a 2 and one half hour musical (as well as beef up Ms. Gleason's role...something the character even mentions in Act One), Andre and Muriel start to fall in love ("Like Zis/Like Zat").
Dr. Shuffhausen convinces Chrstine that the only way to cure Buzz's problem is to tackle his psychosis, so "The More We Dance" the more he'll want to get out of his wheelchair. Freddie doesn't fall for it and does his best to keep up with Jameson's tricks. He eventually comes back to Christine's hotel room to exclaim that "Love Is In My Legs" (one of the funniest romantic ballad spoofs ever to hit Broadway), but Jameson intervenes again.
He sends Christine away before Freddie can win the bet (which changes from extracting money to getting her in bed at some point in Act Two when Jameson discovers she isn't rich). At the train station, Jameson realizes he's falling for her ("Love Sneaks In" -- the only bland song in the bunch as it's a real ballad that isn't funny and brings everything to a halt). The subplot of Andre and Muriel gets a brief reprise of "Like Zis/Like Zat" before Christine returns to Freddie in order to inadvertantly give him the win on the bet with "Son Of Great Big Stuff". But being a story about con artists, there's one last twist that I won't reveal before our con men sing of "The Reckoning" and finally make friends again in "Dirty Rotten Number".
The most important part of a musical is the songs and I've still got almost all of them rattling around my head 24 hours later. The acting is all top notch with potential Tony nominees in both Butz and Jbara. The one weak spot is, as I've already stated, the under use of Joanna Gleason. The lighting and sets are really kind of funky and cool. The entire show has what I'd refer to as "grand minimalist" as a turntable off center within a second turntable, some art deco palm trees, a staircase, a balcony, a set of doors and a few other minor set pieces keep getting reconfigured to make each setting.
The show's biggest obstacle is unfortunately the window it's opening it. It's living in the long shadow of that other con man musical based on a movie, The Producers (now starring Richard Kind and Alan Ruck, which may make it worth seeing again). The comparisons are both inevitable and unfortunate as I found this show funnier (don't get me wrong, I still loved The Producers). It has also opened two weeks ahead of Monty Python's Spamalot (which we'll be seeing a few days after it opens...so look for a review soon) and that show's coming in like the juggernaut The Producers was when it opened. Unfortunately, Dirty Rotten Scoundrels may get lost in the shuffle. Hopefully it won't as I want...no need...a cast album...if only to learn the lyrics to "Great Big Stuff".
That's all for today.
Be seeing you.
Monday, February 28, 2005
Oscar the Grouch
I suppose this is the first time in many years that I really didn't care that much about the Oscars to even bother commenting on them. Here's my views, now that they're over:
Chris Rock was funny as host. Probably pissed a few people off along the way (was it just me or did Halle Berry look a bit miffed at the Catwoman 2 comment).
The show felt long, but didn't actually run long.
The awards given from the aisles were actually pretty well handled.
Jeremy Irons is a comic genius.
Paul Giamatti was robbed of even being nominated.
Martin Scorsese will never win.
That's pretty much it.
I did have a chance to see Constantine last week and enjoyed it quite a bit. It's not exactly a perfect adaptation of the comic book "John Constantine, Hellblazer" but I thought it worked pretty well. Keanu Reeves does a decent job in the title role (and I'm not gonna bitch and moan about how the character's supposed to be British and look like Sting...the captured the essence of the personality well enough). The film feels a bit long but is pretty fun. All in all it's probably on par with other "second string" comic book movies like Hulk and Daredevil. Maybe I'll do a more in depth review at a later date.
Not much else for today. I'm still working on a number of things in regards to getting my backlog of Fugues into this blog (it's gonna be slow going) as well as sprucing up the web site (even slower going). But I do hope to have some photos of the house renovation up within the next two weeks.
On that front right now we're in a race to see if what we've termed as "Phase One" (everything that was started before we knew about the pregnancy) will be finished before we have to start "Phase Two" (which is prepping the house for the baby...moving my office into the storage area and turning the current office into the baby's room). It means the current contractor will have to be finished by the end of March. I'm currently betting against him.
Anyway...I've been up to my eyeballs in sound design for a wonderful production of One Flew Over The Cuckoo's Nest over at Curtain call as well as doing some administrative stuff for The Darien Players production of Biography...so it may be a week before there's anything subtsantial from me again.
Be seeing you.
Chris Rock was funny as host. Probably pissed a few people off along the way (was it just me or did Halle Berry look a bit miffed at the Catwoman 2 comment).
The show felt long, but didn't actually run long.
The awards given from the aisles were actually pretty well handled.
Jeremy Irons is a comic genius.
Paul Giamatti was robbed of even being nominated.
Martin Scorsese will never win.
That's pretty much it.
I did have a chance to see Constantine last week and enjoyed it quite a bit. It's not exactly a perfect adaptation of the comic book "John Constantine, Hellblazer" but I thought it worked pretty well. Keanu Reeves does a decent job in the title role (and I'm not gonna bitch and moan about how the character's supposed to be British and look like Sting...the captured the essence of the personality well enough). The film feels a bit long but is pretty fun. All in all it's probably on par with other "second string" comic book movies like Hulk and Daredevil. Maybe I'll do a more in depth review at a later date.
Not much else for today. I'm still working on a number of things in regards to getting my backlog of Fugues into this blog (it's gonna be slow going) as well as sprucing up the web site (even slower going). But I do hope to have some photos of the house renovation up within the next two weeks.
On that front right now we're in a race to see if what we've termed as "Phase One" (everything that was started before we knew about the pregnancy) will be finished before we have to start "Phase Two" (which is prepping the house for the baby...moving my office into the storage area and turning the current office into the baby's room). It means the current contractor will have to be finished by the end of March. I'm currently betting against him.
Anyway...I've been up to my eyeballs in sound design for a wonderful production of One Flew Over The Cuckoo's Nest over at Curtain call as well as doing some administrative stuff for The Darien Players production of Biography...so it may be a week before there's anything subtsantial from me again.
Be seeing you.
Monday, February 21, 2005
Badly Going Where They've Gone Before
Okay...I've been rather quiet for a while about Star Trek as an entity of late. I stopped watching Voyager much later than I should have and I gave Enterprise about 3 episodes before deciding I had enough of the "been there, done that" syndrome of stories the various series had been churning out for a number of years. I've been saying for a while that the best thing for the franchise was a break (in my mind 5 years at least) and now that we're getting the needed break to revive the franchise at a later date, the effing Trekkies are going to screw it up. There's an old saying about the inmates running the asylum and Trekkos are living proff. They'd rather have bad Trek than no Trek.
This is a mentality I don't quite understand. There are plenty of franchises that I've been enamoured of over the years, but I realize when they get tired and need a break it's usually for the better. Look at the gap between Licence to Kill and Goldeneye. It took six years to revive the Bond franchise (not that it needed it in my mind, but look at the box office numbers and you'll see there were problems).
Anyway...if you haven't heard, the Trekkos are trying to raise 32 million dollars to fund a new season of Enterprise. Good luck with that one.
Wish I had more for today, but I'm a bit beat and need to get to a rehearsal which I'm doing Sound Design for (and not having much fun...I tend to throw myself 110% into a job and I was exhausted before I got involved in this show...it'll be a good show and while I don't think anyone will notice potential goofs with the sound, I will because I'm insane...the show is One Flew Over The Cuckoo's Nest by the way, which doesn't help with the insanity aspect).
Be seeing you when I have more to say and more time to say it in.
This is a mentality I don't quite understand. There are plenty of franchises that I've been enamoured of over the years, but I realize when they get tired and need a break it's usually for the better. Look at the gap between Licence to Kill and Goldeneye. It took six years to revive the Bond franchise (not that it needed it in my mind, but look at the box office numbers and you'll see there were problems).
Anyway...if you haven't heard, the Trekkos are trying to raise 32 million dollars to fund a new season of Enterprise. Good luck with that one.
Wish I had more for today, but I'm a bit beat and need to get to a rehearsal which I'm doing Sound Design for (and not having much fun...I tend to throw myself 110% into a job and I was exhausted before I got involved in this show...it'll be a good show and while I don't think anyone will notice potential goofs with the sound, I will because I'm insane...the show is One Flew Over The Cuckoo's Nest by the way, which doesn't help with the insanity aspect).
Be seeing you when I have more to say and more time to say it in.
Sunday, February 20, 2005
The start of something big
Okay...so I'm finally getting my act together and taking it on the road. I've been very slowly in the process of learning how to build a website and today we're ready to test the damn thing out. It's not fancy. It's not flashy. Heck, it's not even finished (it's barely there). But it's now live and in my control (G-d help us all).
Over the next few weeks expect it to get a bit fancier and more complex as I add photos of the wedding, the house renovation, the baby and anything else I feel the need to (yes...a photo of me as Agatha Christie will also eventually show up).
But please be patient folks. My time management is lacking these days and I'm all over the place. So don't hold me to the fire if it's taking a bit longer than you'd like to see some of this stuff.
In setting this up there were several possible ways to go about getting Fenster's Toccata and Fugue online (instead of e-mailing it). This is now the way it's going to go. You'll be able to check it out here whenever I update it. And slowly but surely you'll be able to access all of my "back issues" as I slowly but surely get them up and into this blog.
If there are any suggestions or comments, please feel free to speak up. This whole endeavour is made of baby steps for me and any feedback will be appreciated (as long as it's constructive...anyone looking to just bitch, moan or complain can keep it to themselves).
So that's all for today. Nothing too complicated or extreme. Just a brief declaration that I'm joining the 21st Century finally...
Be seeing you
Over the next few weeks expect it to get a bit fancier and more complex as I add photos of the wedding, the house renovation, the baby and anything else I feel the need to (yes...a photo of me as Agatha Christie will also eventually show up).
But please be patient folks. My time management is lacking these days and I'm all over the place. So don't hold me to the fire if it's taking a bit longer than you'd like to see some of this stuff.
In setting this up there were several possible ways to go about getting Fenster's Toccata and Fugue online (instead of e-mailing it). This is now the way it's going to go. You'll be able to check it out here whenever I update it. And slowly but surely you'll be able to access all of my "back issues" as I slowly but surely get them up and into this blog.
If there are any suggestions or comments, please feel free to speak up. This whole endeavour is made of baby steps for me and any feedback will be appreciated (as long as it's constructive...anyone looking to just bitch, moan or complain can keep it to themselves).
So that's all for today. Nothing too complicated or extreme. Just a brief declaration that I'm joining the 21st Century finally...
Be seeing you
Tuesday, February 01, 2005
We start off today with a bunch of TV reviews before moving onto to some musicals and then some other stuff…but first a quick and loud “Boo!!!!!” to HBO Home Video. They are releasing the first season of their wonderful western “Deadwood” on DVD. It comes in a beautiful box set with about 90 minutes of extras. The problem is it’s not only pricey, but a big space waster. All 13 episodes are spread across SIX DISCS!!!! (This in the same week they release “Oz” Season 4 which is 16 episodes on 3 double sided discs at almost half the price and definitely half the space). So the bad move of the week goes to them.
Anyway…on to our reviews…
Medium – well…we’re several episodes into this show’s first season (yes…it’s been renewed for a second) and producer Glenn Gordon Caron reminds us why he’s so good at creating great TV. The show stars Patricia Arquette as a clairvoyant who works for the District Attorney and helps them solve crimes. The “crime” aspect of the show is balanced with her personal life with her husband and three daughters. The show contains a great mix of several genres (like all the other Caron shows) and knows how to keep us invested in the characters. We get plenty of suspense, humor, romance and surprise all balanced out perfectly in the correct amounts (just like life…only without the parapsychology). If you’re not watching you should be.
Justice League Unlimited – just ended its third season and started its fourth. The 3rd season ender was a fun, but slightly befuddled two part geek-gasm that brought a lesser DC villain (Chronos) into his own by giving him a better spin and threw a whole bunch of DC Western characters (like Bat Lash, Jonah Hex, El Diablo and Pow Wow Smith) and WB Animation characters (mostly from “Batman Beyond”) into this weird time travel story. The best bit of all: Hal Jordan makes a brief appearance as Green Lantern in the second part as time starts to shift and flux (he replaces John Stewart). The third season spent a very long and slow time setting up the new League as most of the episodes featured mostly the five members from the first two seasons coupled with one or two new heroes. A slow boil back-story involving a government conspiracy against the Justice League didn’t get enough airtime either.
Season four started off on a completely different foot. The first episode featured none of the BIG members and concentrated on Black Canary getting Green Arrow to help her rescue Wildcat from a self-imposed downward spiral in what had to have easily been one of the most violent half hours of animated fare on TV in recent history (Wildcat’s involved in an underground Ultimate Fight-like venue).Great story. Next up? Flash and Mister Miracle team up against some of Darkseid’s minions. And we get to see Black Canary and Green Arrow on a double date with Huntress and The Question. Cool. Also look for Doomsday to return to battle Superman and Batman to uncover some info about the government conspiracy.
Teen Titans – Like “Justice League” this show finished one season and immediately started its next. With Season Three focusing on Cyborg’s battles with Brother Blood, it looks like Season Four will be focusing on Raven’s past with appearances by Trigon and a resurrected Slade. The show’s more kid-friendly than “Justice League”, but still well written and a lot of fun.
Committed – Not sure what it is about this show, but it makes me laugh out loud all the time (maybe it’s just Tom Poston’s dead-pan wit as the Clown living in Marnie’s closet). And it looks like it may be returning for a second season. The show’s run ends March 15 when it will be replaced by the American version of the hit BBC comedy “The Office: An American Workplace” (subtitled, I assume, because we’re too stupid to know the difference between this and the original).
Grounded For Life – The WB ended this show’s fifth season after only 13 episodes. Luckily, we got something of a wrap-up for storylines that had been started (like Claudia’s pregnancy). The show had essentially “jumped-the-shark” on moving to the network (Sean & Eddie buying the bar) and the loss of the youngest child Henry (due to the actor moving to NY) was disappointing as he tended to be the funniest of the kids (and rather surreal). The show had a good run for three seasons and then kind of dipped in quality, but it was always enjoyable. I’ll miss it, but I’ve already moved on.
And now two musicals…one on stage, one on screen…
Fiddler on the Roof – As Tash & I head into the back half of the pregnancy, we’re trying to cram in as much “fun” as we can. While we haven’t had much time to hit the movie theaters due to shows and such, we are making time for theatrical jaunts. Aside from seeing various shows locally that involve friends, there are at least three Broadway musicals on our list. We just crossed the first one off.
Personally, I’m a big fan of the film version of “Fiddler on the Roof”. I think Norman Jewison got it perfect and that’s the end of that story. When the show returned to Broadway with Alfred Molina, my first thought was “good choice, but I don’t need to see it”. Molina’s left the role and he’s been replaced by Harvey Fierstein. Yes…you heard me…Harvey Fierstein. My little to no interest in this show became an “I’ve gotta see this”.
Before we get to Harvey’s performance as Tevye, let me comment on the production itself. The orchestra is on stage (something I normally dislike). It doesn’t seem to add much to the show by being on stage. The sets are very organic in that we’re looking at a wooded area with movable furniture and a ramshackle roof that descends from the rafters. It works well for the show and suggests the various spaces needed to make Anatevka a real town. It gives the show a very sad and wistful atmosphere and while I’m not sure the show should look that way, it does work.
All of the actors do their parts well, but the real stars are Fierstein and Andrea Martin as Tevye and Golde. In my opinion, both are adequate at best. Golde isn’t a big enough part for Martin’s comedic abilities to really shine and her singing voice is serviceable. She seems to be a bit too restrained for her own good most of the time. Fierstein seems like an inspired choice of casting, albeit weird. He puts his all into the role and you can tell he’s having fun with it (he does bring out more humor in the role than what you normally get), which does pass along to the audience. But that’s only when you can understand him. His very distinctive voice not only mangles and garbles some of the song lyrics, but he chooses a number of vocal inflections for lines of dialogue that also get drowned out (this was not a problem in “Hairspray”). It’s an interesting performance that needs to be seen to be believed, but it won’t come close to replacing Topol’s (assuming that the number of people who actually saw Zero Mostel in the role has dwindled considerably over the years). If you can, see it before Harvey leaves…but don’t expect too much.
De-Lovely – Taking it’s cue from “All That Jazz”, this musical about the life of Cole Porter weaves together an amazing story (even if somewhat inaccurate) in which Porter views a rehearsal of a show based on his life. The film is well made and propelled by the two wonderful performances of Kevin Kline as Porter (who gets some of the best old age make up I’ve seen on film in a long time) and Ashley Judd as his wife Linda. It is their relationship, interspersed with various musical numbers, that keeps this show flowing from start to finish. If there’s one thing that doesn’t quite work it’s the stunt casting. Most of Porter’s songs are performed by famous singers like Elvis Costello, Alanis Morisette and Robbie Williams with no real motivation or explanation. They pretty much appear, sing and leave. The other numbers that are part of the story work much better.
Lastly, on an update front…
If you’re in the area I’d like to recommend the following shows to see:
The Philadelphia Story at Curtain Call – Now Playing – we know some people in the show
Proof at Westport Community Theater – Now Playing – we know some people who worked on the show
Biography at the DAC Weatherstone in Darien – March 4 thru 19 – I’m VP of the Players, so that alone forces me to push the show, but it’s got a great cast and is the last show to be directed by Catherine Lindsey who unfortunately passed away last week.
One Flew over the Cuckoo’s Nest at Curtain Call – March 4 thru March 19 – we know one of the actors as well as the stage manager and I’m helping set up the sound effects for the show
The Sorcerer – Trouper’s Light Opera Company – April 1 thru 9 – Tash is in the chorus and I’m helping with some magic effects for the show
Tale of the Allergist’s Wife – Pound Ridge – April (don’t have the exact dates in front of me, but as we get closer I’ll post ‘em) – we know most of the cast and the director (it should be a great show)
Book of Days – Darien – May 6 thru 21 – It’s my last hurrah for this season…I’m in the casting process right now…so you’ll hear all about it next week once it’s been finalized…It’s a great play…very different from anything I’ve done to date…
As we’ve been going through all the information that exists for expectant parents (let me just say that researching new kitchen appliances was easier than researching strollers and cribs), one of the things we’ve discussed ad nauseum is when to discover what we’re having. There are pros and cons to knowing both in advance of the birth and being surprised on delivery day. After sorting through it all, we decided we wanted to know as soon as possible just so we could stop referring to the child as “baby face” and call it by the name we plan on using while it’s still in utero in an attempt to bond with it more before it arrives.
So I’d like to announce the arrival of Malcolm Steven Fenster sometime in mid-June (due date’s Father’s Day June 19). He hasn’t been too co-operative during the sonograms, but I suppose that’s to be expected. After all, he’s a combination of Tash & I and all our family genetics…stubbornness runs on both sides. Of course, more importantly he’s healthy and, I suppose, happy where he currently is and we can’t wait until he gets here (actually, first we can’t wait for the house to be finished and ready for him to live in it…we’re almost to the point where it may be a close race).
Anyway…
That’s all for today.
Be seeing you
Spleenless Joel
Anyway…on to our reviews…
Medium – well…we’re several episodes into this show’s first season (yes…it’s been renewed for a second) and producer Glenn Gordon Caron reminds us why he’s so good at creating great TV. The show stars Patricia Arquette as a clairvoyant who works for the District Attorney and helps them solve crimes. The “crime” aspect of the show is balanced with her personal life with her husband and three daughters. The show contains a great mix of several genres (like all the other Caron shows) and knows how to keep us invested in the characters. We get plenty of suspense, humor, romance and surprise all balanced out perfectly in the correct amounts (just like life…only without the parapsychology). If you’re not watching you should be.
Justice League Unlimited – just ended its third season and started its fourth. The 3rd season ender was a fun, but slightly befuddled two part geek-gasm that brought a lesser DC villain (Chronos) into his own by giving him a better spin and threw a whole bunch of DC Western characters (like Bat Lash, Jonah Hex, El Diablo and Pow Wow Smith) and WB Animation characters (mostly from “Batman Beyond”) into this weird time travel story. The best bit of all: Hal Jordan makes a brief appearance as Green Lantern in the second part as time starts to shift and flux (he replaces John Stewart). The third season spent a very long and slow time setting up the new League as most of the episodes featured mostly the five members from the first two seasons coupled with one or two new heroes. A slow boil back-story involving a government conspiracy against the Justice League didn’t get enough airtime either.
Season four started off on a completely different foot. The first episode featured none of the BIG members and concentrated on Black Canary getting Green Arrow to help her rescue Wildcat from a self-imposed downward spiral in what had to have easily been one of the most violent half hours of animated fare on TV in recent history (Wildcat’s involved in an underground Ultimate Fight-like venue).Great story. Next up? Flash and Mister Miracle team up against some of Darkseid’s minions. And we get to see Black Canary and Green Arrow on a double date with Huntress and The Question. Cool. Also look for Doomsday to return to battle Superman and Batman to uncover some info about the government conspiracy.
Teen Titans – Like “Justice League” this show finished one season and immediately started its next. With Season Three focusing on Cyborg’s battles with Brother Blood, it looks like Season Four will be focusing on Raven’s past with appearances by Trigon and a resurrected Slade. The show’s more kid-friendly than “Justice League”, but still well written and a lot of fun.
Committed – Not sure what it is about this show, but it makes me laugh out loud all the time (maybe it’s just Tom Poston’s dead-pan wit as the Clown living in Marnie’s closet). And it looks like it may be returning for a second season. The show’s run ends March 15 when it will be replaced by the American version of the hit BBC comedy “The Office: An American Workplace” (subtitled, I assume, because we’re too stupid to know the difference between this and the original).
Grounded For Life – The WB ended this show’s fifth season after only 13 episodes. Luckily, we got something of a wrap-up for storylines that had been started (like Claudia’s pregnancy). The show had essentially “jumped-the-shark” on moving to the network (Sean & Eddie buying the bar) and the loss of the youngest child Henry (due to the actor moving to NY) was disappointing as he tended to be the funniest of the kids (and rather surreal). The show had a good run for three seasons and then kind of dipped in quality, but it was always enjoyable. I’ll miss it, but I’ve already moved on.
And now two musicals…one on stage, one on screen…
Fiddler on the Roof – As Tash & I head into the back half of the pregnancy, we’re trying to cram in as much “fun” as we can. While we haven’t had much time to hit the movie theaters due to shows and such, we are making time for theatrical jaunts. Aside from seeing various shows locally that involve friends, there are at least three Broadway musicals on our list. We just crossed the first one off.
Personally, I’m a big fan of the film version of “Fiddler on the Roof”. I think Norman Jewison got it perfect and that’s the end of that story. When the show returned to Broadway with Alfred Molina, my first thought was “good choice, but I don’t need to see it”. Molina’s left the role and he’s been replaced by Harvey Fierstein. Yes…you heard me…Harvey Fierstein. My little to no interest in this show became an “I’ve gotta see this”.
Before we get to Harvey’s performance as Tevye, let me comment on the production itself. The orchestra is on stage (something I normally dislike). It doesn’t seem to add much to the show by being on stage. The sets are very organic in that we’re looking at a wooded area with movable furniture and a ramshackle roof that descends from the rafters. It works well for the show and suggests the various spaces needed to make Anatevka a real town. It gives the show a very sad and wistful atmosphere and while I’m not sure the show should look that way, it does work.
All of the actors do their parts well, but the real stars are Fierstein and Andrea Martin as Tevye and Golde. In my opinion, both are adequate at best. Golde isn’t a big enough part for Martin’s comedic abilities to really shine and her singing voice is serviceable. She seems to be a bit too restrained for her own good most of the time. Fierstein seems like an inspired choice of casting, albeit weird. He puts his all into the role and you can tell he’s having fun with it (he does bring out more humor in the role than what you normally get), which does pass along to the audience. But that’s only when you can understand him. His very distinctive voice not only mangles and garbles some of the song lyrics, but he chooses a number of vocal inflections for lines of dialogue that also get drowned out (this was not a problem in “Hairspray”). It’s an interesting performance that needs to be seen to be believed, but it won’t come close to replacing Topol’s (assuming that the number of people who actually saw Zero Mostel in the role has dwindled considerably over the years). If you can, see it before Harvey leaves…but don’t expect too much.
De-Lovely – Taking it’s cue from “All That Jazz”, this musical about the life of Cole Porter weaves together an amazing story (even if somewhat inaccurate) in which Porter views a rehearsal of a show based on his life. The film is well made and propelled by the two wonderful performances of Kevin Kline as Porter (who gets some of the best old age make up I’ve seen on film in a long time) and Ashley Judd as his wife Linda. It is their relationship, interspersed with various musical numbers, that keeps this show flowing from start to finish. If there’s one thing that doesn’t quite work it’s the stunt casting. Most of Porter’s songs are performed by famous singers like Elvis Costello, Alanis Morisette and Robbie Williams with no real motivation or explanation. They pretty much appear, sing and leave. The other numbers that are part of the story work much better.
Lastly, on an update front…
If you’re in the area I’d like to recommend the following shows to see:
The Philadelphia Story at Curtain Call – Now Playing – we know some people in the show
Proof at Westport Community Theater – Now Playing – we know some people who worked on the show
Biography at the DAC Weatherstone in Darien – March 4 thru 19 – I’m VP of the Players, so that alone forces me to push the show, but it’s got a great cast and is the last show to be directed by Catherine Lindsey who unfortunately passed away last week.
One Flew over the Cuckoo’s Nest at Curtain Call – March 4 thru March 19 – we know one of the actors as well as the stage manager and I’m helping set up the sound effects for the show
The Sorcerer – Trouper’s Light Opera Company – April 1 thru 9 – Tash is in the chorus and I’m helping with some magic effects for the show
Tale of the Allergist’s Wife – Pound Ridge – April (don’t have the exact dates in front of me, but as we get closer I’ll post ‘em) – we know most of the cast and the director (it should be a great show)
Book of Days – Darien – May 6 thru 21 – It’s my last hurrah for this season…I’m in the casting process right now…so you’ll hear all about it next week once it’s been finalized…It’s a great play…very different from anything I’ve done to date…
As we’ve been going through all the information that exists for expectant parents (let me just say that researching new kitchen appliances was easier than researching strollers and cribs), one of the things we’ve discussed ad nauseum is when to discover what we’re having. There are pros and cons to knowing both in advance of the birth and being surprised on delivery day. After sorting through it all, we decided we wanted to know as soon as possible just so we could stop referring to the child as “baby face” and call it by the name we plan on using while it’s still in utero in an attempt to bond with it more before it arrives.
So I’d like to announce the arrival of Malcolm Steven Fenster sometime in mid-June (due date’s Father’s Day June 19). He hasn’t been too co-operative during the sonograms, but I suppose that’s to be expected. After all, he’s a combination of Tash & I and all our family genetics…stubbornness runs on both sides. Of course, more importantly he’s healthy and, I suppose, happy where he currently is and we can’t wait until he gets here (actually, first we can’t wait for the house to be finished and ready for him to live in it…we’re almost to the point where it may be a close race).
Anyway…
That’s all for today.
Be seeing you
Spleenless Joel
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